Practicing My Writerly Gaze 4: People Love Paul Celan, But Not Me

people say words
but they don’t mean them
people write words
and they don’t mean them either
does poetry have a loafing problem

in the cladogram of poetry
who is the first beast on your branch
or are you trying to negotiate
a new limb

let critics scoff at your poetry
let friends, husbands, wives, and parents
scoff at your poetry
it is living with compliments
that’s excruciating
can one write poetry
without being a poet

Check out other work in the Practicing My Writerly Gaze series here.

Uncollected 80, The Golden Age of Future Tense

I miss the future maybe more than the past
what was to be and now will not
tragically gliding forward and away from us
there were happier men in that future
there was justice in that future
and most of all there was great poetry

can we bring it back forward
or is it gone forever
men will never have the character and intellect
that was to be so

being of the future
this loss cannot technically be 
a fall from grace
but being so close to realization
it feels we really did lose something
and now that wisdom, gentleness, and peace
is never to be had, or almost had, again

Check out other work in the Uncollected series here.

The Social Unit 16: Pigouvian Taxation

Would a tax regime that is completely Pigouvian work? The US government already uses the tax code to incentivize certain prosocial behaviors. But it still taxes income, which presumably we don’t want to discourage. It also taxes consumption which isn’t necessarily antisocial either. Why not use the tax system to guide citizens toward society’s benefit?

Check out all the work in the collection: The Social Unit

Practicing My Writerly Gaze 3: The Gifts of Anger for the People of Anger

Father Zossima’s body starts to smell
ambition whispers 
around the bed
an acolyte opens a window
people gather.
we are told the stench is sin


and so, to return to our story
I’m in love with my wife
when she sleeps,
I’m in love with the world 
when it sleeps,
and I love, faltering, 
but still love Father Zossima.

Check out other work in the Practicing My Writerly Gaze series here.

Uncollected 79, Four Paws

four paws,
in this trap again 
are we?
let’s not begin with goodbye
you know the interesting thing
about collision– 
it’s so mutual
stop trying to right the wrongs
of law and love
the children of man
are naked and featherless
feeble and querulous
and you want to be 
Moses on a motorcycle

don’t think it isn’t a junkie fall
many wish life was 
one long blow job
but there are dimes
on the eyes of the walking
there is a poetry
to that kind of blindness
the world says no,
and all they hear is yes, yes, yes

four paws, listen to me
this net is a visible sign 
of my continued support
it’s old sad music 
always comes into major
sometimes the second chance
comes first
there are opportunities here
for a comfortable earth 
and sumptuous heaven
there is now parking 
free parking
in Jerusalem

Check out other work in the Uncollected series here.

The Social Unit 15: Better Coercion

Almost all social units articulate a sense of progress in outcome and process. Humans want to play “fair” and live in a social unit whose outcomes are “fair”. Both of these require coercion. Following up on note 4, I have been thinking about a system for improving our coercions. The ladder of coercion has four broad rungs: Thayler-style nudges, pigouvian taxation, fines, and violence. These run from the least to most onerous forms. The idea for whatever social target you want to hit is to simply never use a more onerous form of coercion than is necessary. 

Check out all the work in the collection: The Social Unit

Uncollected 78, Second Hell

Turned away from heaven
I went to the underworld
But the Devil said
My company for eternity
Would be “onerous”

And that is how second hell started
I called to the cloying
The grating, the unambitiously mean
With no small pride
I say we are many

The double-parkers, the naggers,
the peg-backers.
Artists of self-pity and blame
Those that do not return shopping carts
Gossips, click-baiters,
know-it-alls, and do-nothings.
We are legion

Check out other work in the Uncollected series here.

The Markson Project: Reader’s Block 27-32

Severn, lift me up, I am dying. (27)
Don’t breathe on me, it comes like ice. (28)
#DMGuidetoIllustriousPersons #DMquotations #ThisIsTheEndMyFriend 
Both 27 and 28 are deathbed utterances by John Keats as recorded by friend and hospice nurse Joseph Severn. 

The world is my idea. (29)
#DMGuidetoIllustriousPersons #DMquotations
The opening proposition to Arthur Schopenauer’s The World as Will and Idea.

Saint Augustine said his first teacher was also the first person he ever saw who could read without moving his lips. (30)
#DMGuidetoIllustriousPersons
Always confusing: Aquinas and Augustine.

Saxo Grammaticus (31)
#DMGuidetoIllustriousPersons

 It is not impossible that the young actress Molière married when he was forty, and with whose family he had been closely connected in the theater for years, was his own illegitimate daughter. (32)
#DMGuidetoIllustriousPersons

Check out other posts from the Markson Project here.

The Snevets Stories 12: The Burden of Purpose

Whatever purpose Snevets had in committing these crimes, it started to weigh on him. His later jobs were more workman-like and earnest. He increasingly regarded his job as gravely important–more than that, critical for the world. That is a lot of weight on one’s shoulders. To tell you the truth, I missed the playfulness of his earlier crimes when he would do things with words just because he could. Sometimes it felt like he was as surprised as we were, like he was discovering himself. If he hadn’t made a fool of me so many times, I would have really enjoyed it.

Check out other posts from The Snevets Stories here.

The Snevets Stories 11: The Library

At one point we had Snevets surrounded in a library downtown. And not just with a unit this time. He was swarmed. We are talking Billy the Kid swarmed–at least 100 men. There were hostages inside so we were being extra cautious though. I’d never known Snevets to carry a firearm, but he was somehow controlling the library staff and the patrons inside. He had one standing in each window to prevent our snipers from getting off a shot. We called in to the circulation desk from our command tent outside. Snevets picked up. He sounded funny, but that was because we masked his audio with a filter so he couldn’t slow us down with his sonorous speech powers. We informed him there was no escape. He was surrounded by at least 100 men. He nonetheless persisted, claiming that no one would be hurt, and he would send a list of demands within the hour. I was cautiously optimistic. We had him dead to rights, but I also knew that being in a library would only fuel his powers. 

After forty-five minutes, the front door of the library opened. A man hesitantly slid out, his arms raised with a note in his right hand. We searched the hostage list and identified him as Ramon Santo. Ramon yelled not to shoot. Our men lowered their weapons and a team of five SWAT members readied their shields. Ramon was pale, hardly breathing as he walked down the thirteen stone steps. As soon as he made the sidewalk, SWAT rushed forward to envelop him in shields and rush him away. Once the hostage was secured, I breathed deeply. 

They brought Ramon to our command tent. He handed me a note in Snevets’ barely legible scrawl. His mastery of the powers of language did not somehow extend to penmanship. The note demanded a car to the airport and a private jet to Havana. 

Before I responded I questioned Mr. Santo, I asked, is Snevets armed? He said no. Ramon said Snevets had somehow subdued them all by playing some music over the library PA. After that everyone was scared but just complied with whatever order Snevets gave them. It was curious. What kind of music was it? Ramon wasn’t sure. All he gave us was that it was a woman singing. Before I could ask anymore questions, I heard shouts from outside the tent. I ran to the flap. Other hostages had started coming out. The first few cautiously and after that the rest hurrying to the safety of the surrounding officers. The lawn in front of the library was a chaos of SWAT and hostages. I yelled at the men to maintain their perimeter for all the good it did. 

It took us a half an hour to account for all the hostages. What could Snevets be playing at? In another fifteen minutes, I organized the SWAT team to take the library. I told them not to shoot unless it was to save some hostage we weren’t aware of. We needed Snevets alive. I needed him alive–there were so many questions. I was tense. This was my moment, but I had been disappointed too many times to feel confident. In went the doors. The men rushed through. Within twenty minutes they’d cleared the whole building, ventilation shafts and all– no Snevets. 

We huddled at the circulation desk with the floor plans. There was no way to explain this. I knew better though. I ordered a BOLO of the surrounding area and forensics to go through the library. I didn’t have any real hope though. Snevets was gone. Walking back to pack up the operations tent, I contemplated a handwriting analysis of Snevets’ list of demands since his power was so tied up with language. That might actually tell us something useful. However, back in the tent, the desk was empty. No note. I asked around, nobody had touched it. A thought flashed through my head. I laughed and dismissed it. No way, that’s too much, even for Snevets.

Check out other posts from The Snevets Stories here.

The Markson Project: Reader’s Block 19-22

Fighting with his wife, drunk, Paul Verlaine once threw their three-month-old son against a wall. (19)
#DMGuidetoIllustriousPersons #Drunk

Thumbed pages: read and read. Who has passed here before me? (20)
#Reader/Protagonist

Saint Thomas Aquinas was an anti-Semite. (21)
#DMGuidetoIllustriousPersons #Bigotry 
The first of many.

Only Bianchon can save me, said Balzac, near death.
Bianchon being a doctor in Le Père Goriot. (22)
#DMGuidetoIllustriousPersons #DMCastofCharacters #DMBookshelf #ThisIsTheEndMyFriend
How’s our Mandarin?

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The 17/18 Poems 44: Pleased

when the poem makes me uncomfortable 

I congratulate myself

when the poem doesn’t beg

and doesn’t scold

and is never memory’s fool

I am pleased

when it has an upright zeal

but doesn’t make my teeth hurt

I sign it without regret

Check out other work in the 17/18 Poems series here.

The Markson Project: Reader’s Block 15-18

Gray’s Elegy is 128 lines long. Gray spent seven years writing it. (15)
#DMGuidetoIllustriousPersons #DMBookshelf #Numbers

If forced to choose, Giacometti once said, he would rescue a cat from a burning building before a Rembrandt. (16)
#DMGuidetoIllustriousPersons #Fires #GreatsOnGreats

I am growing older. I have been in hospitals. Do I wish to put certain things down? (17)

Granted, Reader is essentially the I in instances such as that. Presumably in most others he will not be the I at all, however. (18)
#Reader/Protagonist

Check out other posts from the Markson Project here.

The Snevets Stories 10: Telos

At some point in the investigation, years long now, it was clear–Snevets was himself pursuing something. What it was I couldn’t say. Originally I thought of each of his crimes as separate, but the Florida jobs, the jar in Tennessee, the Carolinas, and even Geneva were all building to something. The further Snevets went, each job needed the others more and more to make sense. If I could figure it out, I might be able to create the prison of mind I needed to catch him. Whatever the end game was for Snevets it obviously had existential import.

Check out other posts from The Snevets Stories here.

The Markson Project: Reader’s Block 11-14

Anna Akhmatova had an affair with Amedeo Modigliani in Paris in 1910 and 1911. Late in life, not having left Russia again in a third of a century, she would be astonished to learn how famous he had become. (11)
#DMGuidetoIllustriousPersons #DMTimeline #DM Map
Rule: read the wiki article of any person mentioned.

In 1579, when Shakespeare was fifteen, the population of Stratford would have been little more than fifteen hundred. Is it a safe assumption that he knew the woman named Katherine Hamlet who fell into the Avon that summer and drowned? (12)
#DMGuidetoIllustriousPersons #DMTimeline #DM Map #Speculation

Emily Dickinson became so extravagantly reclusive in the second half of her life that for the last ten years she did not once leave her house. (13)
#DMGuidetoIllustriousPersons #OnlyTheLonely

Even among the most tentative first thoughts about a first draft, why is Reader thinking of his central character as Reader? (14)
#Reader/Protagonist

Check out other posts from the Markson Project here.

The Snevets Stories 9: Answers

It’s hard to tell how dangerous a man like Snevets was. He definitely committed crimes, at least by the book. But were they crimes in spirit, his miscellany of violation? I’m not sure? That is perhaps why we chased him so hard? Neither his intention nor effect was clear. He was no counterfeiter, no thief, his methods were otherworldly, but certainly no grift. We were left to imagine his crimes and attribute sinister intent. Why did we pursue him? It could be, in the end, his only crime was not giving us answers?

Check out other posts from The Snevets Stories here.

The Snevets Stories 8: The Shot

I shot at Snevets once. He looked hurt. The bullet went ten feet over his head. It was only a warning. But that look back; I will never forget his face. He was disappointed in me. I don’t know why? Why did he think we carried guns? There was something deeply conservative about him for all his flaunting of the law. And yet, the power of that look was such, I never shot at him again.

Check out other posts from The Snevets Stories here.

The Markson Project: Reader’s Block 4-6

Church bells were already ringing, to announce the Armistice in November 1918, when word reached Wilfred Owen’s family that he had been killed in battle one week before. (4)
#DMGuidetoIllustriousPersons #DMTimeline #ThisIsTheEndMyFriend

Picasso made Gertrude Stein sit more than eighty times for her portrait. 
And then painted out the head and redid it three months later without having seen her again. (5)
#DMGuidetoIllustriousPersons #DMGallery

Pablo Casals began each day for more than seventy years by playing Bach. (6)
#DMGuidetoIllustriousPersons


Check out other posts from the Markson Project here.

The Snevets Stories 7: A New Approach

At some point, it occurred to me that I had been going about things all wrong. I’d been trying to capture Snevets the man, the body. And for years, I’d failed. The only thing that could hold Snevets was a prison of mind. This approach would be tough though. I knew police work, but I had a lot of studying to do to be interesting enough for Snevets to even sniff at me.

Check out other posts from The Snevets Stories here.

Racists of America Club Note #28: Field Trips

What if RAC starts simple? Just a guy forced to attend diversity training twice at work, which prompts  him and his friend to start trying stuff. They do “field trips”. The intuition is that they need to be able to “feel” race. They go to black Christian fellowship groups (like the one in the Netflix documentary The Family). They go to a black church that was blown up. They visit border detainees, stay in a plantation re-creation, they go to the islands off Africa where ships left from. They accept the “I forgive you for slavery certificate” from a black right-wing politician. They head toward whatever experience is most cringy.   

Check out other work in the Racists of America series here.

The Snevets Stories 6: Paperwork

How do you write this one? You wouldn’t guess it, but I spend about 90% of my time on paperwork. Case file after case file. Each and everyone seems impossible as you begin, for you know the crucible of boredom you must endure to complete one. The Snevets casefile was two levels of impossible beyond that. It required you to write the incredulous. For each entry, a believable lie wrestled in my mind to fill the space. The truth rang false, fanciful. The unit, my superior, the whole profession was anything but fanciful. Imagine trying to tell Sam Spade about the unicorn you’d seen yesterday. My mind goes blank. Could Snevets and his gift with words even write this? I stare at the objects on my desk for half an hour. A stapler, a picture, an elephant figurine. Nothing. I go for coffee, and will try again.

Check out other posts from The Snevets Stories here.

Personal Ethic 7: FI

I wish, when I was starting my financial life, that I’d paired finding a profession with the pursuit of financial independence, FI. Someone who is good at living on a budget, saving, and spending 10 minutes a day learning about money, is able to live a good quality life while progressively reducing the need for a profession to pay for it. 

Check out other work in the Personal Ethic series here.

The 17/18 Poems 42: The Bed

all summer long we sat in bed

reading into his mattress

the western canon

vindicating the whimsy

of a long dictatorship

the garish epaulets

the medal of conceivable bravery

the cross of smugness

the silver star of Whitman, the liberator

until fall, autumn breaking our pact

Check out other work in the 17/18 Poems series here.

Racists of America Club Note #26: Borges

If I tried to go the narrative route, are there any message stories to draw on? Borges draws on philosophic concepts. Although in Borges, he’s not arguing anything. His stories aren’t created to expound a philosophy. Philosophy is a prop for the story. Borgesian fiction is the exact opposite of what I’m trying to do.

Check out other work in the Racists of America series here.

Strange Faces Other Minds 21: When I Was In Love and Out of All Else

It took me a long time to figure out why I like this poem. The title alone kills me. I’ve made up a story about how it relates to the actual poem, but I’m less than 50% confident on it. I also love that it captures how much goes on in one’s mind mid-sentence. We have to wait for an inner dialog or narration to find out what must must be awful. When we finally find out, it’s unexpected, sweet, and mean, all at the same time.

Check out other work in the Strange Faces Other Minds series here.

Personal Ethic 6: Decoupling Money and Work

The least helpful advice I received from adults was to ‘do what I love’. The advice isn’t necessarily bad for everyone, but it didn’t work in my case. I really started to make progress when I treated doing what I love and how I support myself as two separate questions. The professions I gravitated toward tended not to pay well. I think the most extreme was when I tried to write poetry for a living. I started to put more time into making poetry pay than actually writing poetry. What worked better was to find a profession I didn’t hate that gave me plenty of autonomy and free time. That seemed to be the best deal I could cut. Moreover, I enjoyed what I loved more without the pressure of having it support me.

Check out other work in the Personal Ethic series here.

Uncollected 74, Can Peace Be Interesting Enough to Endure?

nobody said how boring dishes 
sitting in their cupboard would be
it all felt right and ordered for a while
the bowls were full, warm
contentment rose like vapor
from the table
and on the streets
the nods, the glances
the fellow feeling
and commerce did thrive

what would it take 
for this to be forever?
can one write a poem
for a peace that lasts?
not one written
in the bosom of strife
but a poem for peace
after years of peace.
a poem whose desire 
remains undiminished,
a poem that longs 
for what it already has.

there is a book about peace 
in the Bible
that no one ever reads
things happen for sure
but there aren’t the stakes
no plague of boils 
or a pillar of salt
peace is promised
only as a tonic 
to our worldly suffering
and that promised salvation
lasts forever
there is no book in the Bible
that hints how we might
endure this salvation.

Check out other work in the Uncollected series here.

Personal Ethic 5: The Productivity of Experiences Compared to Goals

I initially worried that I wouldn’t accomplish as much using experiences, but paradoxically, I’ve accomplished more. Here are my guesses as to why.

  1. The desire to keep working: I don’t experience burn out or discouragement like I did under my goal paradigm. With larger goals, I was keenly aware of how far I was from accomplishing them. That can be discouraging. After I switched, I still have goals but more as an excuse to have a certain kind of experience.
  2. The goal posts don’t move: Another problem with goals is that after the immediate high of accomplishment, you don’t really feel that different. Goals have this illusion of completion that they never come through on. All there is after any goal is another goal. Now that I focus on experiences, each day is about renewing the things that make me feel like me. There is no illusion that what I have done is finished. The work is the reward, the renewal. 
  3. Losing that deep concentration of focusing on one or two goals at a time worried me the most. So much progress is made with that focus, especially the initial burst. What I didn’t realize before was the trade off for that progress was losing sight of my other goals. For example, if I spent three months drafting a collection of poems, I did almost nothing else. Once I had time to return to my other goals, I had forgotten the reasoning behind some decision, forgot something I’d already learned, or lost contact with someone who was helping me. Switching from one goal to the other, I would lose a lot of momentum. Now all my efforts have more continuity. This might not work for everyone. You have to be able to compartmentalize. It is also hard not to throw everything else to the side when a bout of inspiration comes. I’m still working on that one. 

Check out other work in the Personal Ethic series here.

Uncollected 73, Propofol

Jim was minus his head
and looking for something
nice to say
propped up in his bed
45° of cogency
addressing his doctor

Kate, I love
your Negro otherness
having a bird in the basement
made me rethink the day

well, he tried
as we all do
to say something honest
to be well-received
I felt a-Jim

a few hours later
Jim has found
his head 
the bubbles have
left his thought
that worries me
I am again
scared of his mouth
and its intentional offense

Check out other work in the Uncollected series here.

Racists of America Club Note #24: Character

But while the diagnosis is clear, the solution is obviously much harder. I do think it essentially comes down to character. You cannot have Socratic mouthpieces. These need to be characters that you make the reader feel are real, that we have known or can recognize as true to our lived experience. You need to think about who these people in your story are. Sit down and think about their backstories and what has brought them to the present moment of your story. Ask yourself what their greatest fear or hope is. What’s their greatest shame? What’s their biggest wound in life, or their greatest joy? Where did they grow up and why is that significant? What’s the one thing they’ll be thinking about or remembering on their death bed? Not all of this will actually appear in the story, but they will help you get to know your characters. These questions will give context and complexity to the way in which you write/present them in the present narrative of your story. -WF

Check out other work in the Racists of America series here.

Strange Faces Other Minds 19: Among the Musk Ox People

They were aesthetes, which means
I was forced to eat a hard peach,
commissioned to paint a twelve-foot abstraction
based on watching host cells collaborate
in bacterial infection, and at night
chewed the soles of their mukluks
till they were soft again.
If I ventured outside the igloo
and saw a celebrity,
I felt so inferior
I wanted to die.
To conceal my envy
I was given dark glasses.
If, on ther other hand, I encountered
someone to whom I was vastly superior,
one of those ill-clad, raving, wandering hags,
I felt ashamed and wanted to die.
To appease my guilt
they were given by the Elders a little of my grub.
If I met with an Ordinary,
someone not dissimilar to myself,
with dissatisfactions roughtly the same,
I felt the world was senseless
supporting so many look-alikes
and again I asked to die:
life reached a maddening peak
out there on the ice when
we were hunting and could move only our eyes.
Still, like a seal reaching his blowhole
in the dark, every seventy-two hours
I came to my senses for thirteen minutes
and continued to live with the knowledge
that deep in the oyster bed of blood
layered spheres continued to build round
my name, cold, calciferous, and forgotten.
When The Giant Orphan At The Bottom Of The Sea
appeared in my dreams,
demanding I write the story
of three generations of Ox women
resulting in the birth of a performance artist,
I knew I would need a knife, gun, needles,
kettle, scissors, and soap,
and gave up, at last, my finest skins.
I made my escape across the shrouded inlet
away from those who believe that outside
our minds there is only mist,
and with my skills at flensing
never feared for the future.

I get a little lost in Mary Ruefle’s poem toward the end. But the middle is so good I don’t even care.

Check out other work in the Strange Faces Other Minds series here.