
Check out other work in the Dirty Dish Gallery here.

Check out other work in the Dirty Dish Gallery here.
I used to structure my to-do list around goals. One problem of making a list of goals was the narrowness of focus. I’d end up spending most of the day on one or two big ones. Say I was focusing intensely on writing a collection of poems, that goal would take up the major part of the day’s actions. I would get deep into the mindset of a writer, which was initially thrilling. It motivated me for two or three days, but after that I had to suppress parts of myself to enable that deep concentration. I would begin to crave learning something new or miss spending time with my family. In my forties, I started to orient my day around experiences. It took some experimentation but I’ve settled on this list: creating something, learning something, working on my relationship with my wife, fostering relationships with my family and friends, engaging with my physical body, working on my financial health, contributing to the benefit of the wider world, and accomplishing something at work. If my day touches on each of these experiences, I end it feeling complete.Â
Check out other work in the Personal Ethic series here.

Check out other work in the Paint Chips, Cracks, and Decay series here.

Check out other work in the Light series here.
looking haggard
a dream of summer shade
a body is one of those weird places
you find yourself again and again
the man on a platform
addressing a crowd
cultivates errors of speech
how dearly the lives of the dead
the early morning light on their wings
there are birds of prey
and birds of prayer
both at home
in the same yellow sky
only their beaks shaped different
the dream of shade
versus the dream of shadow
a man and a woman
build a garden between,
a river in repose
through the valley
the locusts come to chrr
in the late afternoon
South America, a myth to itself
no place really
a span of black feathers
an iridescence
a shadow play
screened on a valley floor
circling forever
high in the Altiplano
Check out other work in the Uncollected series here.
I count myself, until the publishing of this essay, as having a very manageable racism problem?
Check out other work in the Racists of America series here.

Check out other work in the Bookshelf series here.

I have a weakness for poems like this that permute the same words over and over again. See Seed Poem by Charles Stein I posted earlier. This hits that same craving. I heard the recording first. I’m not sure if that helped me read this one better than I would have otherwise. Either way, check out the recording linked to by the poem’s name on the Poetry Foundation’s website. Kearney kills the reading.
Check out other work in the Strange Faces Other Minds series here.

Check out other work in the Dirty Dish Gallery here.
Serbia has an interesting Christmas tradition. It is said that what you do on Christmas determines how you’ll spend your year. So on that day, you do many different things for a short period of time and you are intentional about which things. My wife is Serbian so this tradition is part of our family’s celebration. And note, that because Serbia is on the Orthodox calendar, this is a separate day from 12/25, the Protestant and Cathothlic Christmas. Strangely, I now look forward to Orthodox Christmas more than the Christmas of my youth. It has even changed the way I think about my non-Christmas days. What makes it so wonderful is the focus on experiences, not outcomes. The other is that I do a little of everything. It connects me, in a single day, to the variety of experiences that make me feel whole.Â
Check out other work in the Personal Ethic series here.

Check out other work in the Paint Chips, Cracks, and Decay series here.
I kissed his mouth
it tasted like bananas
and thus our will
and fate
did so contrary run
some people enjoy
verbal pleasure
and employ long sentences
letting water spill sweetly
past the lips
if a poem has no conceit
the emphasis falls
on reality: square, severe
the words now stretched
I remember Portsmouth
sleeping, the window open
and it felt like the sea coming in
Check out other work in the Uncollected series here.
Check out other work in the Light series here.
Some people value material things more than others. Their drive to acquire a greater share is extremely productive. Not just for them, but for everyone. It increases the productive capacity of the social unit. However, there is a point at which the inequality no longer provides any marginal productivity. Further the inequality becomes politically destabilizing. The question is not how does a social unit rid itself of inequality, rather what levels are productive and stable for the social unit.
Check out all the work in the collection: The Social Unit
My brother and I had an uncomfortable encounter doing some fine dining at the Brown hotel in Louisville. Our waiter was white, but his assistant was an older black man. At some point, the assistant came up to clean the table. He complimented us on our suits, complaining that nowadays a lot of people abuse the dress code. He made a bit of small talk and left, but what was uncomfortable was the feeling that he was aping for us. It is interesting that an exaggerated display of deference made us feel as ashamed as being called out
Check out other work in the Racists of America series here.
My brother calls this set of poems the “Dad Bod Poems”. I wish I’d thought of that–perfect title!
Check out all the work in the Collection:Â Occasional Verse
Check out other work in the Interogative Mood series here.

Check out other work in the Bookshelf series here.
when to a the whatÂ
you might well know,
four paws.
in this trap againÂ
are we?
let’s not begin with goodbye
you know the interesting thing
about collisionÂ
is it’s so mutual
stop trying to right the wrongs
of law and love
the children of man
are naked and featherless
feeble and querulous
and you want to beÂ
Moses on a motorcycle
don’t think it isn’t a junkie fall
many wish life was justÂ
one long blow job
but there are dimes
on the eyes of the walking
there is a poetry
to that kind of blindness
the world says no,
and all they hear is yes, yes, yes
four paws, listen to me
this net is a visible signÂ
of my continued support
it’s old sad musicÂ
always comes into major
sometimes the second chance
come first
there are opportunities here
for a comfortable earthÂ
and sumptuous heaven
there is now parkingÂ
free parking
in Jerusalem
Check out other work in the 17/18 Poems series here.

Check out other work in the Dirty Dish Gallery here.
Living with a daily to-do list can be great or terrible. I have noticed the difference between feeling motivated by my list versus grinding under its tyranny isn’t how many things I actually do. It’s only how much I do relative to the length of the list. Said differently, what matters is expectation. Therefore, the number of things I put on my list is important. I don’t write down everything I want to do. That list is endless and saps my will to work. On the other hand, I try to write down enough to push myself to be productive each day. Judging what my productivity sweet spot is can be difficult. It is much better to err on the low side though. When I finish my to-do list early, I usually have the motivation to continue working.
Check out other work in the Personal Ethic series here.

Check out other work in the Paint Chips, Cracks, and Decay series here.
One time I got a bad case of “the man”
I started telling my poems what to do
like I owned them
slapping stanzas on the backside
as they walked by- What? It was a joke?
My privilege got out of hand,
I was micro-aggressing every line
and messing up all the pronouns.
There were repercussions of course
a heroic couplet threatened
to cancel me and go authorless.
I hated doing it
but I had to mansplain
the nature of the poet-poem relationship
right before rewriting that couplet
in blank verse
who uses heroic couplets anyway?
Everything’s good now.
I reflected. I read some books
the whole incident brought out the best
in this white male savior
Check out other work in the Uncollected series here.
Much of the problem of money in politics (and vice versa) is that the two systems theoretically pretend to operate independently. Your amount of political power is not supposed to affect the amount of money you have, and the amount of money you have isn’t supposed to affect the amount of political power you have.
We all know this isn’t true in practice. Many have differing opinions about how great the effect is, but I don’t think anyone would credit that there is no effect. We need to start treating the two systems as a single dynamic system. We should not have the two sciences, Economics and Political Science. We should be looking at Political Economics. (I like Poliecon instead.)
Check out all the work in the collection: The Social Unit
That’s a compliment that is hard to take.Â
Remember, it comes from a good place.
And that place must be messed up
because there is no way
I write like that. No way.
…or do I? This compliment is really
starting to suck. I work so hard
not to sound like that poet.Â
Yet I’m falling into it while trying to back away.
Falling headlong into the prophesied mediocrity.
Writing myself into oblivion.
All by my own hand.
Damn it! This is so greek.
Check out all the work in the Collection:Â Occasional Verse
In the nineties when I was in high school, my stepfather listened to a lot of Rush Limbaugh on AM radio. One day I was walking through the kitchen and Rush was discussing the reparations question. He had a guest on the show whose name I wish I could remember. The guest, as a prominent black businessman, thought the idea of reparations was ridiculous and promised to send anyone who contacted him a certificate pardoning them for slavery. The idea seemed so preposterous to me, but there was also poetry in it as it perfectly embodied a white fantasy.
Check out other work in the Racists of America series here.

Check out other work in the Uncollected series here.
Down the long stair of life
A few diversionsÂ
More diversions
Grows the dayÂ
Swells the night
We are put beyond
Check out other work in the 17/18 Poems series here.

Check out other work in the Uncollected series here.

I have to be honest this poem wasn’t love at first site. I’m not sure what it was. I think it had something to do with the the language not really projecting the authority to make the kind of declarations it makes. But it’s famous enough so that you hear run into it a lot, and slowly it got its hooks in me. Check it out here at the Poetry Foundation’s website.
Check out other work in the Strange Faces Other Minds series here.

Check out other work in the Dirty Dish Gallery here.
I mean “ethic†more as how shall I live rather than as what is right and wrong. It is roughly how I organize myself daily, weekly, monthly, and yearly. A lot of these observations overlap with personal productivity literature. However, the telos isn’t productivity, it is living a better life. The scope is bigger than simply moral improvement. Living a good life must also address questions of meaning, satisfaction, engagement, and fulfillment.  Â

Check out other work in the Paint Chips, Cracks, and Decay series here.
There was the time
we thought we knew better but didn’t
There was the time
our indecision made everything fall apart
There was a time
and a time after that
Once we made the powerful and brutal
more powerful and brutal
Once we lost interest
halfway through
Don’t forget the time
we did it on the cheap,
or the time we gave them
what we thought they needed
not what they asked for
Regrettably,
there was a time
we gave them refuge
but no home
and, how did we not
see this coming,
the time business interests
co-opted better intentions
Apologies, apologies,
more apologies
and still there was the time
we gave them something
they didn’t know how to use
and there was that time
the worst time
we gave them something
so precious
they killed each other for it
Check out other work in the Uncollected series here.
Waiting Behind Another Man in a Public Bathroom
If you ever desired the power
to make time pass slowly,
I am exactly that superhero.
Please forget that I’m here though.
Please stop the sideways glances.
I mean you no harm.
Let your mind go to peaceful,
fluid landscapes,
visions of strong flow.
The story of uncomfortable
meets embarrassed
will soon be over.
Behind You is Another Man Waiting to Use the Urinal
Is this worse than writer’s block?
My plumbing has seized.
Should I just scratch this attempt
and come back later.
I should have taken a stall.
Settle down. You can do this.
There is no issue at stake but time.
Time! Why did you think of time?
How long has it been?
Check out all the work in the Collection:Â Occasional Verse

Check out other work in the Uncollected series here.
When did the word racist get coined? When was it first leveled as an accusation?
Merriam Webster says 1902 but does not give the instance. the online etymology dictionary has a fuller account but no original instance.
Check out other work in the Racists of America series here.

Check out other work in the Dirty Dish Gallery here.
the doing we are talking about
the clench
the cry stifled
the table of strange theatre
and each and all in the night
slowly home I’m saying
confess my head the dirty bit
finger on nail, the hammer
of manner and motion away from a source
of meaning and the matter it makes
of mother-work, the merry and the dead
quite broken, the blacktop, I’m speaking
a turtle’s back
wet asphalt and now the rain
Check out other work in the 17/18 Poems series here.

Check out other work in the Paint Chips, Cracks, and Decay series here.
Do I address the underwear
or do I address you,
now naked pair,
whose underwear disappeared
into that oblivion of bed clothes,
as if to say there is no way
to put that apple back on the tree?
Maybe there is someone approaching,
a child that needs sparing,
or a lover betrayed?
But that, of course,
only makes the underwear hide harder.
Could you close your eyes
you might be able to see yourselves
just five minutes before,
in a tangle of elbows and feet,
pushing your underclothes
back in time, almost to the first day.
And now the price of that pleasure
is an eternity of search.
Nothing free in indulgence
is quite free of consequence.
Check out all the work in the Collection:Â Occasional Verse

Check out other work in the Bookshelf series here.
I just gave my dad
The Wind-Up Bird Chronicle
for the third consecutive Christmas.
This is enough
to break his waspy resolve.
He’s called me out in front of the family
from sheer exasperation.
I’m shocked.
I can’t tell if it’s worse to be called out the third time
or not to be called out the second?
The book is well outside
his taste: history or spy-fi.
It was a risk to begin with,
and I don’t even remember taking it.
It is the kind of thoughtlessness
that prevents me from being a good gift-giver,
or even just average.
And my father still hasn’t read the book.
I think if anyone had given me a book three times,
albeit unknowingly,
I would have at least cracked the cover.
Maybe I’m shifting blame here,
my deficiencies as a gift-giver exposed?
Maybe I’ll double down next year,
and give it to him a fourth time
starting a game of literary chicken
that can only end
in a new pair of running shoes for Murakami.
Check out all the work in the Collection:Â Occasional Verse

Check out other work in the Uncollected series here.
Actually, Pynchon of all people has one of the best lines about this. In one of his very few nonfiction writings about his work, he talks about an early short story he wrote titled Entropy. Entropy, of course, is the central Pynchonian metaphor and a concern for all of his mature work, but early on he tried to write a story about it with the word in the very fucking title and he has this great line about it: “The story is a fine example of a procedural error beginning writers are always being cautioned against. It is simply wrong to begin with a theme, symbol, or abstract unifying agent, and then try to force characters and events to conform to it.” -WF
Check out other work in the Racists of America series here.

Check out other work in the Dirty Dish Gallery here.
of what whose habit is
to be by daylight pain,
like a Danish mope.
(I hate patience.)
I hate you,
and hate you in every color.
go chase rain to someone else’s doorstep.
I feel like a wall now.
Something I could shoot arrows off
or pour boiling oil
all over your square-jawed silence.
May your lyrics try to keep peace
and always cause war
May it hurt when you laugh
May you watch
as the last snowball in hell
melts through your fingers.
Check out other work in the 17/18 Poems series here.

Check out other work in the Paint Chips, Cracks, and Decay series here.
I read this poem at Sixfold magazine. The journal has a really interesting submission process. Essentially the people who have submitted poems vote for the best submissions and the top 30 make the magazine. Anyway, this is by far my favorite poem of all the different submissions I read. The user was anonymous, but if he/she ever finds this post. Let me know your name please. …and send me more poems. I love this one!

Check out other work in the Strange Faces Other Minds series here.

Check out other work in the Bookshelf series here.
As you drive them to practice,
your son tells his friend
that their tennis coach is
not the sharpest pencil in the box.
He says this with the same smirking condescension
(and cadence!) that you said it with,
just two days before.
Moreover, feeling his point might have been
too subtle he says it again.
At which point you interrupt
to correct your son in front of his friend.
By which your son understands
you are not correcting his meanness
but his lack of guile.
And you did this all to seem
nicer than you really are.
In the silent five minutes left
before you reach the tennis court,
you realize your legacy will be total.
Your son inherits not just your sense of humor
or your fluid single-handed backhand
but your vanity, pettiness, and spite.
He doesn’t just see you as you present yourself,
or as you conceive of yourself
but as you are.
And all those not so comic foibles
will become part of him too.Â
His words, your words, echo in your thoughts
for five long minutes and then a lifetime more
as you gaze vacantly through the windshield
at all that is before you in time
looking into the future,
the harshest kind of mirror.Â
Check out all the work in the Collection:Â Occasional Verse

Check out other work in the Uncollected series here.
Title: Recovering from Racism
My proposal is that we start working on racism using a recovery paradigm. The kind used to fight physiologically deep problems like alcoholism. I don’t think racism has the same physiological basis but is culturally very deep. Not only is it deep like alcoholism. There is an incredible amount of guilt, shame, and denial surrounding both the term racist and alcoholic. What I love about programs like AA is first owning the problem. Everyone gets up and says ‘My name is <blank> and I’m an alcoholic’. This seems so simple but is actually quite hard. Many in recovery have been in denial for years with both themselves and those that love them. They have given all kinds of qualifications. You have probably heard a million of these excuses. I drink a lot, but I’m not a drunk. I like to have fun. It isn’t affecting my job. I drink but it is definitely under control. You get the idea. And just like with racism, there is usually someone to point at that has a bigger problem than you, which is why you never start working on your problem. Saying you’re an alcoholic in AA is not meant to make all drinking problems seem like they have the same severity. It is the acknowledgement of a common struggle. A recognition of the struggle and therefore the ability to improve.
Check out other work in the Racists of America series here.

Check out other work in the Dirty Dish Gallery here.
in other ways distracted
I changed forever by the horns
with the same is me of mind
we never not today dead in narration
homeless in a poem
become indifferent to the mantle
the urinal mint roiling in piss
with such a thing including
an original state more than I ought to
Check out other work in the 17/18 Poems series here.

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I have no idea where I found this poem. If anyone knows the poet, let me know. I would love to read more of this poet’s work.
Eric with the Light Brown Hair
I have no horse! I have no horse!Â
cries Eric sitting on the porchÂ
of the Twin Maples Retirement Home
and it’s a fine spring day,Â
I am walking to the playground
when I stop to hear this,
the most profound moment our town
has seen since the ice-cream truck
adopted a rendition of Stephen Foster’s
Oh! Susanna
the profundity of which should be apparentÂ
to all those who linger in blissful repose
over the sad lives of great forgotten men
I have no horse! I have no horse!Â
Eric behaves as one doesÂ
after a beheadment
and I love the ology of itÂ
and the ism of his cry
I love the ology of cloudsÂ
and the ism of rain tooÂ
but not as specifically asÂ
I love Eric, who seeks his red rose
in the fume of the moment
his mouth oily and explosive,Â
wide open, waiting for someone
to throw a few peanuts in
God has made some pretty weird commentsÂ
in his time, about the nature of human
life and all of that, naturally
they are profound
but somehow they seem like a morbid imitationÂ
compared to Eric’s
and even if he goes back centuriesÂ
every time he gets stewed
like the wildflowers who wither on the shoreÂ
far from our native glen
I sigh for Eric, who I unanswered,Â
I sigh for Eric who once had light brown hair.
as I swingÂ
floating like a vapor
on the soft-spoken air
Check out other work in the Strange Faces Other Minds series here.

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My eight year-old son can’t believe his luck.
That there are just
“all of these coins” left in this fountain.
He easily fishes them out.
He’s recently become curious about money
and where it comes from.
I’m afraid this is sending him
the wrong message.
I’m also worried about all those wishes.
Will they still come true?
I feel silly even thinking that.
I would feel really silly
saying that to my son,
who might think, as it now stands,
that one obtains money from fountains.
I am desperate for one of those signs
that are on some fountains that say
these coins are collected for charity.
Then I could tell my son to leave the coins
for the kids with glaucoma or something.
My son is really raking it in at this point.
His wet little hands filled with lucre.
People are starting to look.
Other kids are getting curious.
There might be a run forming on this fountain.
All I can think to tell my son
is that we have to be somewhere.
Later at home we count the money–
“Count de Monet!”
Nothing.
He’s too young for Mel Brooks jokes.
Three dollars in change.
Not bad, my little capitalist.
He is now asking for a water feature
in front of our house.
I didn’t expect that.
I try to explain that nobody
would make wishes in our fountain.
He wants to know why the mall fountain
is better for wishing
than a fountain in our yard,
to which
I have nothing to say.
Check out all the work in the Collection: Occasional Verse

Check out other work in the Uncollected series here.
Sometimes when someone is doing something that annoys you, it is difficult to imagine that they aren’t doing it specifically to annoy you.
Check out other work in the Racists of America series here.

Check out other work in the Dirty Dish Gallery here.
I hear Kelly, I do Kelly
not so much savedÂ
as salvaged
until I couldn’t
I couldn’t
just for the moment
I’m saying
spell comfort
C-O-M-F-O-R-T
this plan is about envy
this play is about summer’s prices
a cock will burn down this city
a Minneapolis in the purple rain
we’re gussied up for the going down
I want to see Kelly
I want her to know
that hate, cold as it is
is only love’s winter
Check out other work in the 17/18 Poems series here.

Check out other work in the Paint Chips, Cracks, and Decay series here.
I’ve spent the last hour trying to figure out who wrote this piece of run-on goodness. I thought it was by Dean Young, but if it is, I can’t locate it. I’d apprecitate any help if you know where this is from.

Check out other work in the Strange Faces Other Minds series here.

Check out other work in the Bookshelf series here.
What do you say? Do you tell her?
I told her.
And now your wife
wants to know why.
So does your therapist.
Maybe it’s because you remember
the day you figured it out
in fifth grade,
a full three years before
it was revealed
in junior high health class
by a football coach
that said puberty
poo-ber-dee.
You were riding your bike
home after school,
puzzling it out.
You knew that somehow
the penis had to
get into the vagina
for babies to get made.
But it just didn’t seem possible
that the penis,
a squishy little piece of flesh,
could be pushed against a vagina,
and do anything but crumple.
If only it could be made firmer,
if only it had another state.
Wait a minute,Â
I stopped the bike for this.
I remembered that the penis
almost has the desired properties
when you wake up in the morning.
What your mom sometimes calls a flagpole.
Yes, that might just work,
a flagpole penis.
Oh my God, a flagpole penis!
If you don’t take into account my age
at that moment,
you might be unimpressed,
but remember this was pre-poo-ber-dee.
An erection was in no way connected
to desire in my mind.
I was like a man who’d never seen water,
trying to figure out how a fish swims.
I was an anatomical engineer
that deduced the solution from first principles.
It was my on-the-road-to-Damascus moment.
Okay, not everybody gets to be Paul.
But when the great engineer in the sky
has called your name,
you go out and you preach the word.
And that is why I told my daughter.
Check out all the work in the Collection: Occasional Verse

Check out other work in the Uncollected series here.
Who would think up the Racists of America Club? There he is right now on that park bench, spilling ice cream on his shirt. Progress is wrought by imperfect vessels and there was none more imperfect than Donald.
Check out other work in the Racists of America series here.
a world of made is not a world of born
how many rain-soaked lives must I live
this makes me pain great cause, and again, and again
in this opportunity of space, I am an asshole
an asshole deep
from the day that sex made me
from wanting the page to roar back
from the future I’ll never see
god, please grant me, not serenity
not this cleat or that clod
or the beauty of the leaden peonies
god, grant not love and good conscience
but a deeper, blacker stripe.
Check out other work in the 17/18 Poems series here.

Check out other work in the Paint Chips, Cracks, and Decay series here.

Check out other work in the Dirty Dish Gallery here.
This Brendan Galvin poem is filled with such beautiful masculine creepery.
Dear Blank. That’s how I think of you.
Nameless as your eyes would disclose you
if I got that close.
You may have noticed me, though,
in my window above the street
where I pretend to be switching channels.
I suspect your mother suspects
I have been watching you,
and maybe she is correct to guard
her clothesline, the seven flavors
of your nighties, your pantyhose having a fling
with the breeze. If you think I am humorless
you are wrong. I see the comedy
of those popsicle-colored convertibles
you and your friends jazz around in.
I see your father’s pride
when he waters the flowers and you
practice handstands or pump your arms
and work over the grunts
of a high-school cheer.
I’m not going to slide out of shadow
with a voice full of peanuts, Hey, Girlie,
a crank who stuffs pigeons
into a sack. Oh, no. Secure in my creephood,
it’s enough to watch, knowing that one day
perfect teeth enter the pizza
that breaks the cartwheel’s back.
Check out other work in the Strange Faces Other Minds series here.

Check out other work in the Bookshelf series here.
Do I address the underwear
or do I address you,
now naked pair,
whose underwear disappeared
into that oblivion of bed clothes,
as if to say there is no way
to put that apple back on the tree?
Maybe there is someone approaching,
a child that needs sparing,
or a lover betrayed?
But that, of course,
only makes the underwear hide harder.
Could you close your eyes
you might be able to see yourselves
just five minutes before,
in a tangle of elbows and feet,
pushing your underclothes
back in time, almost to the first day.
And now the price of that pleasure
is an eternity of search.
Nothing free in indulgence
is quite free of consequence.
Check out all the work in the Collection:Â Occasional Verse

Check out other work in the Uncollected series here.
(Another piece of dialogue. I’m not clear on the context.)
-You should come to a meeting.
-I’m not sure I’d know what to say.
-Just come, listen. You don’t have to speak if you don’t want to, but you probably will. I hardly ever know what I’m going to say, but once I hear other people share, something always comes up. Most of us live lives rich with shame about race.
Check out other work in the Racists of America series here.

Check out other work in the Dirty Dish Gallery here.
I miss the future maybe more than the past
what was to be and now will not
tragically gliding forward and away from us
there were happier men in that future
there was justice in that future
and most of all there was great poetry
can we bring it back forward
or is it gone forever
men will never have the character and intellect
that was to be so
being of the future
this loss cannot technically be
a fall from grace
but being so close to realization
it feels we really did lose something
and now that wisdom, gentleness, and peace
is never to be had, or almost had, again
Check out other work in the 17/18 Poems series here.

Check out other work in the Paint Chips, Cracks, and Decay series here.
Right in the middle of Parade by Tony Hoagland, I ran into this.
Something weird to admire this week on TV:
the handsome face of the white supremacist on trial.
How he looks right back at the lawyers, day after day
–never objecting, never making an apology.
I look at his calm, untroubled face
and think, That motherfucker is going to die white and right,
dissappointing everyone like me
who thinks that punishment should be a kind of education.
I felt so called out on my shit, like Hoagland came to my house, punched me in the balls and left.
Check out other work in the Strange Faces Other Minds series here.

Check out other work in the Bookshelf series here.
It’s tremendously gratifying.
You were right.
This band is great.
But the very same moment they legitimize your taste,
they no longer serve as its marker.
You are a bit like a revolutionary
that suddenly finds himself in power.
It’s a little embarrassing.
What do you do now?
Who is left to convert?
There is no argument to make,
amazingly everyone agrees.
The only answer
is to find another backwater band
with which to bother your unlistening friends.
The guerilla needs to go back to the jungle.
If you don’t, you’ll find yourself
saying silly things like
I liked them before this or that important concert,
waiting for your early adoption
                              to count for something.
Check out all the work in the Collection:Â Occasional Verse

Check out other work in the Uncollected series here.
Yes, this is a common issue for a lot of writers, especially people newer to fiction, though we all face it. I see it with my students sometimes: they want to write the “Message Story” that feels like it has a thesis statement. They lead with it, but then remember they’re supposed to tell a story so they try to paste some one-dimensional characters and plot onto their sexy idea after the fact. -WF
Check out other work in the Racists of America series here.

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marigold
a story in place
a palace floating
acting mythic
really sinking
I started wondering
got lost
Check out other work in the 17/18 Poems series here.

Check out other work in the Paint Chips, Cracks, and Decay series here.
This Mary Ruefle poem is one of my favorites of hers. I haven’t heard her read it unfortunately, but I found this in her Trances of the Blast collection.


Check out other work in the Strange Faces Other Minds series here.

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These spirits do not mix.
All it took was a 30 minute dose of Nietzsche
on the herd mentality, mobbing,
and the perversion of the ubermench’s spirit,
to make George Bailey’s wonderful life a Greek tragedy.
Prior to this encounter, I had seen the movie
over 15 times, usually during holidays,
and it always touched me.
But this was the first time I saw
George’s family, friends, and townspeople
ply that combination
of guilt, shame, and sex
(not to mention some angel dust pyrotechnics)
to level George Bailey, man of talent.
And on this viewing, surprise of surprises,
Mr. Potter turns out to be the only man
trying to save poor George,
even if it is
only out of self interest.
And all those gut-wrenching moments
coming so close to escaping:
the board meeting,
the bank run,
the train station with Harry,
the call from Sam Wainwright,
(if that idiot can make it anyone can).
If only Ernie the cabbie
would just chloroform Georgie-boy.
Just so he could get out of his own way
for a half an hour.
The real dagger in the soul is the end
when he’s wet, disheveled
with tinsel matted on his head,
looking out as an imbecile on all proceedings,
as he is made
to feel grateful for it all.
Check out all the work in the Collection: Occasional Verse

Check out other work in the Uncollected series here.
I lost a coat as a kid when we were staying in a hotel in the southwest. I’d been playing with another kid staying there on the hotel’s sportcourt. The boy was Mexican. When the coat went missing my dad asked me where I thought it was. I told him the Mexican boy probably stole it. My dad called me on that assumption immediately and that same day he found my coat in the hotel’s lost and found. My dad bringing it to me mentioned it was probably the boy that turned it in.
Check out other work in the Racists of America series here.

Check out other work in the Dirty Dish Gallery here.
a square-yes
no not even that
or maybe it doesn’t
find its fold
the map I mean
make it into work
of the captured heart
the heel is heavy
I serve
a practiced gesture
since I can’t say no
I won’t
Check out other work in the 17/18 Poems series here.

Check out other work in the Paint Chips, Cracks, and Decay series here.
This is one of my favorites. I’ve heard Shapiro read this one. It’s great spoken or on the page. Here is the page-version from Slate.
Check out other work in the Strange Faces Other Minds series here.

Check out other work in the Bookshelf series here.