I mean “ethic†more as how shall I live rather than as what is right and wrong. It is roughly how I organize myself daily, weekly, monthly, and yearly. A lot of these observations overlap with personal productivity literature. However, the telos isn’t productivity, it is living a better life. The scope is bigger than simply moral improvement. Living a good life must also address questions of meaning, satisfaction, engagement, and fulfillment.  Â
Paint Chips, Cracks, and Decay 22: Smashed Cup

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Uncollected 67, There Was The Time
There was the time
we thought we knew better but didn’t
There was the time
our indecision made everything fall apart
There was a time
and a time after that
Once we made the powerful and brutal
more powerful and brutal
Once we lost interest
halfway through
Don’t forget the time
we did it on the cheap,
or the time we gave them
what we thought they needed
not what they asked for
Regrettably,
there was a time
we gave them refuge
but no home
and, how did we not
see this coming,
the time business interests
co-opted better intentions
Apologies, apologies,
more apologies
and still there was the time
we gave them something
they didn’t know how to use
and there was that time
the worst time
we gave them something
so precious
they killed each other for it
Check out other work in the Uncollected series here.
Occasional Verse 11: Bathroom Diptych
Waiting Behind Another Man in a Public Bathroom
If you ever desired the power
to make time pass slowly,
I am exactly that superhero.
Please forget that I’m here though.
Please stop the sideways glances.
I mean you no harm.
Let your mind go to peaceful,
fluid landscapes,
visions of strong flow.
The story of uncomfortable
meets embarrassed
will soon be over.
Behind You is Another Man Waiting to Use the Urinal
Is this worse than writer’s block?
My plumbing has seized.
Should I just scratch this attempt
and come back later.
I should have taken a stall.
Settle down. You can do this.
There is no issue at stake but time.
Time! Why did you think of time?
How long has it been?
Check out all the work in the Collection:Â Occasional Verse
Uncollected 66, When You Have Nothing to Say

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Racists of America Club Note #20: Etymology
When did the word racist get coined? When was it first leveled as an accusation?
Merriam Webster says 1902 but does not give the instance. the online etymology dictionary has a fuller account but no original instance.
Check out other work in the Racists of America series here.
Dirty Dish Gallery 36: Sauce and Rice

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The 17/18 Poems 39: The Doing We Are Talking About
the doing we are talking about
the clench
the cry stifled
the table of strange theatre
and each and all in the night
slowly home I’m saying
confess my head the dirty bit
finger on nail, the hammer
of manner and motion away from a source
of meaning and the matter it makes
of mother-work, the merry and the dead
quite broken, the blacktop, I’m speaking
a turtle’s back
wet asphalt and now the rain
Check out other work in the 17/18 Poems series here.
Paint Chips, Cracks, and Decay 21: Shutters

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Occasional Verse 10: Trying to Find Your Underwear After Sex
Do I address the underwear
or do I address you,
now naked pair,
whose underwear disappeared
into that oblivion of bed clothes,
as if to say there is no way
to put that apple back on the tree?
Maybe there is someone approaching,
a child that needs sparing,
or a lover betrayed?
But that, of course,
only makes the underwear hide harder.
Could you close your eyes
you might be able to see yourselves
just five minutes before,
in a tangle of elbows and feet,
pushing your underclothes
back in time, almost to the first day.
And now the price of that pleasure
is an eternity of search.
Nothing free in indulgence
is quite free of consequence.
Check out all the work in the Collection:Â Occasional Verse
Bookshelf 23: Cat Painters

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Occasional Verse 9: Accidentally Giving Someone the Same Gift Three Times
I just gave my dad
The Wind-Up Bird Chronicle
for the third consecutive Christmas.
This is enough
to break his waspy resolve.
He’s called me out in front of the family
from sheer exasperation.
I’m shocked.
I can’t tell if it’s worse to be called out the third time
or not to be called out the second?
The book is well outside
his taste: history or spy-fi.
It was a risk to begin with,
and I don’t even remember taking it.
It is the kind of thoughtlessness
that prevents me from being a good gift-giver,
or even just average.
And my father still hasn’t read the book.
I think if anyone had given me a book three times,
albeit unknowingly,
I would have at least cracked the cover.
Maybe I’m shifting blame here,
my deficiencies as a gift-giver exposed?
Maybe I’ll double down next year,
and give it to him a fourth time
starting a game of literary chicken
that can only end
in a new pair of running shoes for Murakami.
Check out all the work in the Collection:Â Occasional Verse
Uncollected 65, Floor

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Racists of America Club Note #19: Entropy
Actually, Pynchon of all people has one of the best lines about this. In one of his very few nonfiction writings about his work, he talks about an early short story he wrote titled Entropy. Entropy, of course, is the central Pynchonian metaphor and a concern for all of his mature work, but early on he tried to write a story about it with the word in the very fucking title and he has this great line about it: “The story is a fine example of a procedural error beginning writers are always being cautioned against. It is simply wrong to begin with a theme, symbol, or abstract unifying agent, and then try to force characters and events to conform to it.” -WF
Check out other work in the Racists of America series here.
Dirty Dish Gallery 35: Cornbread

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The 17/18 Poems 38: I feel like a wall now
of what whose habit is
to be by daylight pain,
like a Danish mope.
(I hate patience.)
I hate you,
and hate you in every color.
go chase rain to someone else’s doorstep.
I feel like a wall now.
Something I could shoot arrows off
or pour boiling oil
all over your square-jawed silence.
May your lyrics try to keep peace
and always cause war
May it hurt when you laugh
May you watch
as the last snowball in hell
melts through your fingers.
Check out other work in the 17/18 Poems series here.
Paint Chips, Cracks, and Decay 20: Tape

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Strange Faces Other Minds 15: another tin woman
I read this poem at Sixfold magazine. The journal has a really interesting submission process. Essentially the people who have submitted poems vote for the best submissions and the top 30 make the magazine. Anyway, this is by far my favorite poem of all the different submissions I read. The user was anonymous, but if he/she ever finds this post. Let me know your name please. …and send me more poems. I love this one!

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Bookshelf 22: I, Tonya

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Occasional Verse 8: Hearing Your Own Pettiness in the Words of Your Son
As you drive them to practice,
your son tells his friend
that their tennis coach is
not the sharpest pencil in the box.
He says this with the same smirking condescension
(and cadence!) that you said it with,
just two days before.
Moreover, feeling his point might have been
too subtle he says it again.
At which point you interrupt
to correct your son in front of his friend.
By which your son understands
you are not correcting his meanness
but his lack of guile.
And you did this all to seem
nicer than you really are.
In the silent five minutes left
before you reach the tennis court,
you realize your legacy will be total.
Your son inherits not just your sense of humor
or your fluid single-handed backhand
but your vanity, pettiness, and spite.
He doesn’t just see you as you present yourself,
or as you conceive of yourself
but as you are.
And all those not so comic foibles
will become part of him too.Â
His words, your words, echo in your thoughts
for five long minutes and then a lifetime more
as you gaze vacantly through the windshield
at all that is before you in time
looking into the future,
the harshest kind of mirror.Â
Check out all the work in the Collection:Â Occasional Verse
Uncollected 65, Building

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Racists of America Club Note #18: An Attempt At An Essay
Title: Recovering from Racism
My proposal is that we start working on racism using a recovery paradigm. The kind used to fight physiologically deep problems like alcoholism. I don’t think racism has the same physiological basis but is culturally very deep. Not only is it deep like alcoholism. There is an incredible amount of guilt, shame, and denial surrounding both the term racist and alcoholic. What I love about programs like AA is first owning the problem. Everyone gets up and says ‘My name is <blank> and I’m an alcoholic’. This seems so simple but is actually quite hard. Many in recovery have been in denial for years with both themselves and those that love them. They have given all kinds of qualifications. You have probably heard a million of these excuses. I drink a lot, but I’m not a drunk. I like to have fun. It isn’t affecting my job. I drink but it is definitely under control. You get the idea. And just like with racism, there is usually someone to point at that has a bigger problem than you, which is why you never start working on your problem. Saying you’re an alcoholic in AA is not meant to make all drinking problems seem like they have the same severity. It is the acknowledgement of a common struggle. A recognition of the struggle and therefore the ability to improve.
Check out other work in the Racists of America series here.
Dirty Dish Gallery 34: Crumbs

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The 17/18 Poems 37: in other ways distracted
in other ways distracted
I changed forever by the horns
with the same is me of mind
we never not today dead in narration
homeless in a poem
become indifferent to the mantle
the urinal mint roiling in piss
with such a thing including
an original state more than I ought to
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Paint Chips, Cracks, and Decay 19: Drywall

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Strange Faces Other Minds 14: Eric with the Light Brown Hair
I have no idea where I found this poem. If anyone knows the poet, let me know. I would love to read more of this poet’s work.
Eric with the Light Brown Hair
I have no horse! I have no horse!Â
cries Eric sitting on the porchÂ
of the Twin Maples Retirement Home
and it’s a fine spring day,Â
I am walking to the playground
when I stop to hear this,
the most profound moment our town
has seen since the ice-cream truck
adopted a rendition of Stephen Foster’s
Oh! Susanna
the profundity of which should be apparentÂ
to all those who linger in blissful repose
over the sad lives of great forgotten men
I have no horse! I have no horse!Â
Eric behaves as one doesÂ
after a beheadment
and I love the ology of itÂ
and the ism of his cry
I love the ology of cloudsÂ
and the ism of rain tooÂ
but not as specifically asÂ
I love Eric, who seeks his red rose
in the fume of the moment
his mouth oily and explosive,Â
wide open, waiting for someone
to throw a few peanuts in
God has made some pretty weird commentsÂ
in his time, about the nature of human
life and all of that, naturally
they are profound
but somehow they seem like a morbid imitationÂ
compared to Eric’s
and even if he goes back centuriesÂ
every time he gets stewed
like the wildflowers who wither on the shoreÂ
far from our native glen
I sigh for Eric, who I unanswered,Â
I sigh for Eric who once had light brown hair.
as I swingÂ
floating like a vapor
on the soft-spoken air
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Bookshelf 21: Logicomix

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Occasional Verse 7: My Son Fishes Coins Out of the Fountain at the Mall
My eight year-old son can’t believe his luck.
That there are just
“all of these coins” left in this fountain.
He easily fishes them out.
He’s recently become curious about money
and where it comes from.
I’m afraid this is sending him
the wrong message.
I’m also worried about all those wishes.
Will they still come true?
I feel silly even thinking that.
I would feel really silly
saying that to my son,
who might think, as it now stands,
that one obtains money from fountains.
I am desperate for one of those signs
that are on some fountains that say
these coins are collected for charity.
Then I could tell my son to leave the coins
for the kids with glaucoma or something.
My son is really raking it in at this point.
His wet little hands filled with lucre.
People are starting to look.
Other kids are getting curious.
There might be a run forming on this fountain.
All I can think to tell my son
is that we have to be somewhere.
Later at home we count the money–
“Count de Monet!”
Nothing.
He’s too young for Mel Brooks jokes.
Three dollars in change.
Not bad, my little capitalist.
He is now asking for a water feature
in front of our house.
I didn’t expect that.
I try to explain that nobody
would make wishes in our fountain.
He wants to know why the mall fountain
is better for wishing
than a fountain in our yard,
to which
I have nothing to say.
Check out all the work in the Collection: Occasional Verse
Uncollected 64, Wigs

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Racists of America Club Note #17: Something To Work In
Sometimes when someone is doing something that annoys you, it is difficult to imagine that they aren’t doing it specifically to annoy you.
Check out other work in the Racists of America series here.
Dirty Dish Gallery 33: Beet Wings

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The 17/18 Poems 36: Kelly
I hear Kelly, I do Kelly
not so much savedÂ
as salvaged
until I couldn’t
I couldn’t
just for the moment
I’m saying
spell comfort
C-O-M-F-O-R-T
this plan is about envy
this play is about summer’s prices
a cock will burn down this city
a Minneapolis in the purple rain
we’re gussied up for the going down
I want to see Kelly
I want her to know
that hate, cold as it is
is only love’s winter
Check out other work in the 17/18 Poems series here.
Paint Chips, Cracks, and Decay 18: Onion Skin Basement Floor

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Strange Faces Other Minds 14: Q&A
I’ve spent the last hour trying to figure out who wrote this piece of run-on goodness. I thought it was by Dean Young, but if it is, I can’t locate it. I’d apprecitate any help if you know where this is from.

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Bookshelf 20: The Myth of the Ethical Consumer

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Occasional Verse 6: Your Six Year-old Daughter Asks How the Penis Gets Into the Vagina
What do you say? Do you tell her?
I told her.
And now your wife
wants to know why.
So does your therapist.
Maybe it’s because you remember
the day you figured it out
in fifth grade,
a full three years before
it was revealed
in junior high health class
by a football coach
that said puberty
poo-ber-dee.
You were riding your bike
home after school,
puzzling it out.
You knew that somehow
the penis had to
get into the vagina
for babies to get made.
But it just didn’t seem possible
that the penis,
a squishy little piece of flesh,
could be pushed against a vagina,
and do anything but crumple.
If only it could be made firmer,
if only it had another state.
Wait a minute,Â
I stopped the bike for this.
I remembered that the penis
almost has the desired properties
when you wake up in the morning.
What your mom sometimes calls a flagpole.
Yes, that might just work,
a flagpole penis.
Oh my God, a flagpole penis!
If you don’t take into account my age
at that moment,
you might be unimpressed,
but remember this was pre-poo-ber-dee.
An erection was in no way connected
to desire in my mind.
I was like a man who’d never seen water,
trying to figure out how a fish swims.
I was an anatomical engineer
that deduced the solution from first principles.
It was my on-the-road-to-Damascus moment.
Okay, not everybody gets to be Paul.
But when the great engineer in the sky
has called your name,
you go out and you preach the word.
And that is why I told my daughter.
Check out all the work in the Collection: Occasional Verse
Uncollected 63, Apartments

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Racists of America Club Note #16
Who would think up the Racists of America Club? There he is right now on that park bench, spilling ice cream on his shirt. Progress is wrought by imperfect vessels and there was none more imperfect than Donald.
Check out other work in the Racists of America series here.
The 17/18 Poems 35: A World of Made
a world of made is not a world of born
how many rain-soaked lives must I live
this makes me pain great cause, and again, and again
in this opportunity of space, I am an asshole
an asshole deep
from the day that sex made me
from wanting the page to roar back
from the future I’ll never see
god, please grant me, not serenity
not this cleat or that clod
or the beauty of the leaden peonies
god, grant not love and good conscience
but a deeper, blacker stripe.
Check out other work in the 17/18 Poems series here.
Paint Chips, Cracks, and Decay 18: Wrapper

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Dirty Dish Gallery 32: Napkin

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Strange Faces Other Minds 13: Bear’s Night Letter
This Brendan Galvin poem is filled with such beautiful masculine creepery.
Dear Blank. That’s how I think of you.
Nameless as your eyes would disclose you
if I got that close.
You may have noticed me, though,
in my window above the street
where I pretend to be switching channels.
I suspect your mother suspects
I have been watching you,
and maybe she is correct to guard
her clothesline, the seven flavors
of your nighties, your pantyhose having a fling
with the breeze. If you think I am humorless
you are wrong. I see the comedy
of those popsicle-colored convertibles
you and your friends jazz around in.
I see your father’s pride
when he waters the flowers and you
practice handstands or pump your arms
and work over the grunts
of a high-school cheer.
I’m not going to slide out of shadow
with a voice full of peanuts, Hey, Girlie,
a crank who stuffs pigeons
into a sack. Oh, no. Secure in my creephood,
it’s enough to watch, knowing that one day
perfect teeth enter the pizza
that breaks the cartwheel’s back.
Check out other work in the Strange Faces Other Minds series here.
Bookshelf 19: Big Money

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Occasional Verse 5: Trying to Find Your Underwear After Sex
Do I address the underwear
or do I address you,
now naked pair,
whose underwear disappeared
into that oblivion of bed clothes,
as if to say there is no way
to put that apple back on the tree?
Maybe there is someone approaching,
a child that needs sparing,
or a lover betrayed?
But that, of course,
only makes the underwear hide harder.
Could you close your eyes
you might be able to see yourselves
just five minutes before,
in a tangle of elbows and feet,
pushing your underclothes
back in time, almost to the first day.
And now the price of that pleasure
is an eternity of search.
Nothing free in indulgence
is quite free of consequence.
Check out all the work in the Collection:Â Occasional Verse
Uncollected 64, Building

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Racists of America Club Note #15, attempt at an intro
(Another piece of dialogue. I’m not clear on the context.)
-You should come to a meeting.
-I’m not sure I’d know what to say.
-Just come, listen. You don’t have to speak if you don’t want to, but you probably will. I hardly ever know what I’m going to say, but once I hear other people share, something always comes up. Most of us live lives rich with shame about race.
Check out other work in the Racists of America series here.
Dirty Dish Gallery 31: Pepper Seeds

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The 17/18 Poems 35: I Miss The Future
I miss the future maybe more than the past
what was to be and now will not
tragically gliding forward and away from us
there were happier men in that future
there was justice in that future
and most of all there was great poetry
can we bring it back forward
or is it gone forever
men will never have the character and intellect
that was to be so
being of the future
this loss cannot technically be
a fall from grace
but being so close to realization
it feels we really did lose something
and now that wisdom, gentleness, and peace
is never to be had, or almost had, again
Check out other work in the 17/18 Poems series here.
Paint Chips, Cracks, and Decay 17: Gum

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Strange Faces Other Minds 12: Parade
Right in the middle of Parade by Tony Hoagland, I ran into this.
Something weird to admire this week on TV:
the handsome face of the white supremacist on trial.
How he looks right back at the lawyers, day after day
–never objecting, never making an apology.
I look at his calm, untroubled face
and think, That motherfucker is going to die white and right,
dissappointing everyone like me
who thinks that punishment should be a kind of education.
I felt so called out on my shit, like Hoagland came to my house, punched me in the balls and left.
Check out other work in the Strange Faces Other Minds series here.
Bookshelf 18: The 42nd Parallel

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Occasional Verse 4: When Your Favorite Band Mainstreams
It’s tremendously gratifying.
You were right.
This band is great.
But the very same moment they legitimize your taste,
they no longer serve as its marker.
You are a bit like a revolutionary
that suddenly finds himself in power.
It’s a little embarrassing.
What do you do now?
Who is left to convert?
There is no argument to make,
amazingly everyone agrees.
The only answer
is to find another backwater band
with which to bother your unlistening friends.
The guerilla needs to go back to the jungle.
If you don’t, you’ll find yourself
saying silly things like
I liked them before this or that important concert,
waiting for your early adoption
                              to count for something.
Check out all the work in the Collection:Â Occasional Verse
Uncollected 63, Tiles

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Racists of America Club Note #14
Yes, this is a common issue for a lot of writers, especially people newer to fiction, though we all face it. I see it with my students sometimes: they want to write the “Message Story” that feels like it has a thesis statement. They lead with it, but then remember they’re supposed to tell a story so they try to paste some one-dimensional characters and plot onto their sexy idea after the fact. -WF
Check out other work in the Racists of America series here.
Dirty Dish Gallery 30: Chopsticks

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The 17/18 Poems 34: Marigold
marigold
a story in place
a palace floating
acting mythic
really sinking
I started wondering
got lost
Check out other work in the 17/18 Poems series here.
Paint Chips, Cracks, and Decay 16: Cursive

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Strange Faces Other Minds 11: College
This Mary Ruefle poem is one of my favorites of hers. I haven’t heard her read it unfortunately, but I found this in her Trances of the Blast collection.


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Bookshelf 17: In the Realm of Perfection

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Occasional Verse 3: Reading Nietzsche Before Watching It’s a Wonderful Life
These spirits do not mix.
All it took was a 30 minute dose of Nietzsche
on the herd mentality, mobbing,
and the perversion of the ubermench’s spirit,
to make George Bailey’s wonderful life a Greek tragedy.
Prior to this encounter, I had seen the movie
over 15 times, usually during holidays,
and it always touched me.
But this was the first time I saw
George’s family, friends, and townspeople
ply that combination
of guilt, shame, and sex
(not to mention some angel dust pyrotechnics)
to level George Bailey, man of talent.
And on this viewing, surprise of surprises,
Mr. Potter turns out to be the only man
trying to save poor George,
even if it is
only out of self interest.
And all those gut-wrenching moments
coming so close to escaping:
the board meeting,
the bank run,
the train station with Harry,
the call from Sam Wainwright,
(if that idiot can make it anyone can).
If only Ernie the cabbie
would just chloroform Georgie-boy.
Just so he could get out of his own way
for a half an hour.
The real dagger in the soul is the end
when he’s wet, disheveled
with tinsel matted on his head,
looking out as an imbecile on all proceedings,
as he is made
to feel grateful for it all.
Check out all the work in the Collection: Occasional Verse
Uncollected 62, Window in Snow

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Racists of America Club Note #13
I lost a coat as a kid when we were staying in a hotel in the southwest. I’d been playing with another kid staying there on the hotel’s sportcourt. The boy was Mexican. When the coat went missing my dad asked me where I thought it was. I told him the Mexican boy probably stole it. My dad called me on that assumption immediately and that same day he found my coat in the hotel’s lost and found. My dad bringing it to me mentioned it was probably the boy that turned it in.
Check out other work in the Racists of America series here.
Dirty Dish Gallery 29: Cracks

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The 17/18 Poems 33: A Square Yes
a square-yes
no not even that
or maybe it doesn’t
find its fold
the map I mean
make it into work
of the captured heart
the heel is heavy
I serve
a practiced gesture
since I can’t say no
I won’t
Check out other work in the 17/18 Poems series here.
Paint Chips, Cracks, and Decay 15: Cement

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Strange Faces Other Minds 10: Eggrolls
This is one of my favorites. I’ve heard Shapiro read this one. It’s great spoken or on the page. Here is the page-version from Slate.
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Bookshelf 16: Crying of Lot 49

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Occasional Verse: Series Descriptor
Occasional Verse is an attempt to reimagine that genre of poetry around smaller events. Events that are still meaningful in a life without being the major threshold events that are the mainstay of occasional verse: birth, marriage, death…
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Uncollected 61, Brush

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Racists of America Club Note #12
(an attempt at dialogue, I’m viewing this as the founder being interviewed by a reporter)
-How do you try to “escape” racism?
-Mostly by talking. We each share a little something. It could be something going on at the moment. It could be something from the past that a person is working through. The important part is that it’s not judged. Each person says what’s in their heart. They learn to trust the group. One guy has a black guy at work he’s having problems with. One girl has a story from when she was ten years old that she is still ashamed of.
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Dirty Dish Gallery 29: Red Drops

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The 17/18 Poems 32: Of Made To Gather
of made to gather
jingles many songs
feeds a complex hunger
live at your ear
to notice and care
admitting exchange
eyes never shut
sense trying to make itself
mist more than memory
a raft of deadmen
late at night
in low earth orbit
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Paint Chips, Cracks, and Decay 14: Cracked

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Strange Faces Other Minds 9: Le Petit Vie
I first heard Le Petit Vie on the Poetry Foundation’s Poem of the day podcast. I love Edwin Butt’s poem written too.
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Bookshelf 15: Jayhawker

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Occasional Verse 2: Driving the Wrong Way Down a One Way Street
You entered the do not enter
and there is no way out but through.
You will learn that the usually effective
embarrassed/apologetic wave has its limits.
Even the church-going mother
in the hatchback
taking her children to school
can be seen muttering
a few non-biblical epithets
under her breath.
Her stare is enough to wish for the end times.
You have screwed this up for everyone
and will have to keep screwing
because backing up is worse than continuing.
You can only manage your level of wrong here.
Driving the wrong way down a one way street is like
putting a roasted potato in your mouth
at a dinner party that is way too hot
but you can’t spit it out.
So take the honking,
take the shrugs,
take the fingers.
This is an exercise in humility.
It is spiritually cleansing.
Remember Elliot’s words
Nothing dies harder than
the desire to think well of self
and know that today,
if just for a little while,
you killed it.
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Uncollected 60, Smug

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Racists of America Club Note #11 (a cry for help)
I have a question about the Racists of America Club. I’ve been working on it like I said. I seem to have gotten into it by opening it as an interview. Right now it doesn’t have the bite of a real story though. It is more akin to one of the Socratic dialogues in Plato in which the star is the idea less than the characters discussing the idea. I think one of the problems of the story for me is that I actually believe in the idea too much. It is not like a real interrogation. I’m too one-sided about it. Have you ever had this problem writing a story? Maybe I should be writing an essay instead? Help! -BW
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Dirty Dish Gallery 28: Nail Clippings

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The 17/18 Poems 31: Early The Scarlet Morning
early the scarlet morning
the sky floods
blood ruddy
we must remember
the heart is simple
the limousine full
it is ancient
it is awful
image: turning baskets over
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Paint Chips, Cracks, and Decay 13: Boxed Box

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Strange Faces Other Minds 8: The Rain
Bookshelf 14: Trances of the Blast

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Occasional Verse 1: Arguing About Whether You are Arguing
You are discussing a movie with your wife.
Talk has circled around various interpretations,
and now you find yourself debating, rather vigorously,
whether you agree with each other.
You maintain that with minor exceptions you do.
Your wife is quite certain that you don’t.
Don’t be surprised.
For if there is an acorn through which
to glimpse the forest of marriage,
it must be the argument about whether you are arguing.
And so, here we have
in this discourse
the inability of two to be one,
coupled with the relentless determination
that quite simply two equals one.
It’s a very real physical impossibility,
a duality of states
as in superposition
not as one, not as two
but, for lack of a better term,
a one / not one.
Uncollected 59, Lines

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Racists of America Club Note #10
Talking to a reporter:
So this is my point, there are a lot of people out there that are a little racist, but don’t think of themselves as racist. In fact, my guess is most of the racism in America is of this sort. There are very few people that even in private conceive of themselves as racists. I would also guess given that our difficult 400 years of race relations that nobody has been untouched by that history. Struggling with race is in our cultural DNA. Calling somebody a racist is basically calling them American.
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Dirty Dish Gallery 27: Artichoke Burn

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The 17/18 Poems 30: Willow Said to Be Weeping
willow said to be weeping
joy said to be mocking
hope said to be thin
and the cargo was not slaves
this is the verbal energy
that surrounds the contemplation
of difficult (I mean ravenous) things
a bit daring I do say,
unlovely hand,
you are the subject given over
just like the dead
and in such quantities,
such well-meaning forevers
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Paint Chips, Cracks, and Decay 12: Ticket Sign

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Strange Faces Other Minds 7: Presque Isle
In every life, there’s a moment or two.
In every life, a room somewhere, by the sea or in the mountains.
On the table, a dish of apricots. Pits in a white ashtray.
Like all images, these were the conditions of a pact:
on your cheek, tremor of sunlight,
my finger pressing your lips.
The walls blue-white; paint from the low bureau flaking a little.
That room must still exist, on the fourth floor,
with a small balcony overlooking the ocean.
A square white room, the top sheet pulled back over the edge of the bed.
It hasn’t dissolved back into nothing, into reality.
Through the open window, sea air, smelling of iodine.
Early morning: a man calling a small boy back from the water.
That small boy–he would be twenty now.
Around your face, rushes of damp hair, streaked with auburn.
Muslin, flicker of silver. Heavy jar filled with white peonies.
Every time I read this it takes me to my room somewhere. I first experienced this poem on the page. I wish I could find a recording of Gluck reading it.
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The Mantra of Craft T-shirt Gallery 15
Strange Faces Other Minds 6: Somebody in a Bar
This is a great example of how lightning can strike anywhere. I photo copied this page from a book of poems in the library. I didn’t like any of the other poems. I don’t even like this poem, but the second stanza by itself is probably the best thing I’ve read all year. It kills me every time I read it. I tried to track down who wrote it, but wasn’t able to. If anyone reads and recognizes it, please let me know.
Bookshelf 13: God’s Silence
Racists of America Club Note #9
The reason I can’t write the story is that I believe in the idea too much. It would be the same as writing one dimensional characters that are surrogates for pure good or evil. I don’t have the ability to interrogate the idea.
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Uncollected 58, Comb
Strange Faces Other Minds 5: Birdseed
Robert Saunders was a good friend. He passed away 10 years ago and I still miss him. It is hard to know if I’d like this poem as much if I didn’t know him personally. It definitely reminds me about what I loved so much being around him. I guess it doesn’t really matter though, if you love a poem, you love a poem.
Birdseed
Paint Chips, Cracks, and Decay 11: Pitted Blue Wall
Paint Chips, Cracks, and Decay 10: Staples
The 17/18 Poems 29: Stubbornly Former
by this kind
he means cancer
the prospect he attaches to firmly
narrative abusing time…again
he is the tom of love now
all windows
in the mood to be forgotten
while others discuss
bribes and blandishments
instead of the love
they are too afraid to want
let the heaven we inherit approach
out of the deep business of some dream,
that heaven so stubbornly former
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