Pyramid is the best poem I’ve read in a long time. Here it is on the Poetry Foundation website. You can also hear Hera Lindsay Bird read it. I heard it first and fell in love with it. Sometimes I have the strange experience of then not enjoying the text as much, but I love this poem in either form.
Strange Faces Other Minds 2: Ararat
Strange Faces Other Minds 3: Seed Poem
This is an old favorite. I only know it from a audio compilation of poems from Giorno Poetry Systems. It’s read by Charles Stein. I can’t find the text of it anywhere. If you have the poem or can find it online, let me know. This poem is as smart, playful, and funny as any I know. Here is a link to the album I found it on. It’s called Seed Poem.
Strange Faces Other Minds 4: Dancing With Strom
This Nikky Finney poem is too long for my usual taste, but just took me in. I heard it first and was enchanted by the multitude of conflicting emotions that one event could elicit. Having since read it, I still really enjoy the text version. Here is a link to both versions on the Poetry Foundation’s site.
Strange Faces Other Minds 5: Birdseed
Robert Saunders was a good friend. He passed away 10 years ago and I still miss him. It is hard to know if I’d like this poem as much if I didn’t know him personally. It definitely reminds me about what I loved so much being around him. I guess it doesn’t really matter though, if you love a poem, you love a poem.
Birdseed
Strange Faces Other Minds 6: Somebody in a Bar
This is a great example of how lightning can strike anywhere. I photo copied this page from a book of poems in the library. I didn’t like any of the other poems. I don’t even like this poem, but the second stanza by itself is probably the best thing I’ve read all year. It kills me every time I read it. I tried to track down who wrote it, but wasn’t able to. If anyone reads and recognizes it, please let me know.
Strange Faces Other Minds 7: Presque Isle
In every life, there’s a moment or two.
In every life, a room somewhere, by the sea or in the mountains.
On the table, a dish of apricots. Pits in a white ashtray.
Like all images, these were the conditions of a pact:
on your cheek, tremor of sunlight,
my finger pressing your lips.
The walls blue-white; paint from the low bureau flaking a little.
That room must still exist, on the fourth floor,
with a small balcony overlooking the ocean.
A square white room, the top sheet pulled back over the edge of the bed.
It hasn’t dissolved back into nothing, into reality.
Through the open window, sea air, smelling of iodine.
Early morning: a man calling a small boy back from the water.
That small boy–he would be twenty now.
Around your face, rushes of damp hair, streaked with auburn.
Muslin, flicker of silver. Heavy jar filled with white peonies.
Every time I read this it takes me to my room somewhere. I first experienced this poem on the page. I wish I could find a recording of Gluck reading it.
Check out other work in the Strange Faces Other Minds series here.
Strange Faces Other Minds 8: The Rain
Strange Faces Other Minds 9: Le Petit Vie
I first heard Le Petit Vie on the Poetry Foundation’s Poem of the day podcast. I love Edwin Butt’s poem written too.
Check out other work in the Strange Faces Other Minds series here.
Strange Faces Other Minds 10: Eggrolls
This is one of my favorites. I’ve heard Shapiro read this one. It’s great spoken or on the page. Here is the page-version from Slate.
Check out other work in the Strange Faces Other Minds series here.
Strange Faces Other Minds 11: College
This Mary Ruefle poem is one of my favorites of hers. I haven’t heard her read it unfortunately, but I found this in her Trances of the Blast collection.


Check out other work in the Strange Faces Other Minds series here.
Strange Faces Other Minds 12: Parade
Right in the middle of Parade by Tony Hoagland, I ran into this.
Something weird to admire this week on TV:
the handsome face of the white supremacist on trial.
How he looks right back at the lawyers, day after day
–never objecting, never making an apology.
I look at his calm, untroubled face
and think, That motherfucker is going to die white and right,
dissappointing everyone like me
who thinks that punishment should be a kind of education.
I felt so called out on my shit, like Hoagland came to my house, punched me in the balls and left.
Check out other work in the Strange Faces Other Minds series here.
Strange Faces Other Minds 13: Bear’s Night Letter
This Brendan Galvin poem is filled with such beautiful masculine creepery.
Dear Blank. That’s how I think of you.
Nameless as your eyes would disclose you
if I got that close.
You may have noticed me, though,
in my window above the street
where I pretend to be switching channels.
I suspect your mother suspects
I have been watching you,
and maybe she is correct to guard
her clothesline, the seven flavors
of your nighties, your pantyhose having a fling
with the breeze. If you think I am humorless
you are wrong. I see the comedy
of those popsicle-colored convertibles
you and your friends jazz around in.
I see your father’s pride
when he waters the flowers and you
practice handstands or pump your arms
and work over the grunts
of a high-school cheer.
I’m not going to slide out of shadow
with a voice full of peanuts, Hey, Girlie,
a crank who stuffs pigeons
into a sack. Oh, no. Secure in my creephood,
it’s enough to watch, knowing that one day
perfect teeth enter the pizza
that breaks the cartwheel’s back.
Check out other work in the Strange Faces Other Minds series here.
Strange Faces Other Minds 14: Q&A
I’ve spent the last hour trying to figure out who wrote this piece of run-on goodness. I thought it was by Dean Young, but if it is, I can’t locate it. I’d apprecitate any help if you know where this is from.

Check out other work in the Strange Faces Other Minds series here.
Strange Faces Other Minds 14: Eric with the Light Brown Hair
I have no idea where I found this poem. If anyone knows the poet, let me know. I would love to read more of this poet’s work.
Eric with the Light Brown Hair
I have no horse! I have no horse!Â
cries Eric sitting on the porchÂ
of the Twin Maples Retirement Home
and it’s a fine spring day,Â
I am walking to the playground
when I stop to hear this,
the most profound moment our town
has seen since the ice-cream truck
adopted a rendition of Stephen Foster’s
Oh! Susanna
the profundity of which should be apparentÂ
to all those who linger in blissful repose
over the sad lives of great forgotten men
I have no horse! I have no horse!Â
Eric behaves as one doesÂ
after a beheadment
and I love the ology of itÂ
and the ism of his cry
I love the ology of cloudsÂ
and the ism of rain tooÂ
but not as specifically asÂ
I love Eric, who seeks his red rose
in the fume of the moment
his mouth oily and explosive,Â
wide open, waiting for someone
to throw a few peanuts in
God has made some pretty weird commentsÂ
in his time, about the nature of human
life and all of that, naturally
they are profound
but somehow they seem like a morbid imitationÂ
compared to Eric’s
and even if he goes back centuriesÂ
every time he gets stewed
like the wildflowers who wither on the shoreÂ
far from our native glen
I sigh for Eric, who I unanswered,Â
I sigh for Eric who once had light brown hair.
as I swingÂ
floating like a vapor
on the soft-spoken air
Check out other work in the Strange Faces Other Minds series here.
Strange Faces Other Minds 15: another tin woman
I read this poem at Sixfold magazine. The journal has a really interesting submission process. Essentially the people who have submitted poems vote for the best submissions and the top 30 make the magazine. Anyway, this is by far my favorite poem of all the different submissions I read. The user was anonymous, but if he/she ever finds this post. Let me know your name please. …and send me more poems. I love this one!

Check out other work in the Strange Faces Other Minds series here.
Strange Faces Other Minds 16: “Any fool can get into an ocean…”

I have to be honest this poem wasn’t love at first site. I’m not sure what it was. I think it had something to do with the the language not really projecting the authority to make the kind of declarations it makes. But it’s famous enough so that you hear run into it a lot, and slowly it got its hooks in me. Check it out here at the Poetry Foundation’s website.
Check out other work in the Strange Faces Other Minds series here.
Strange Faces Other Minds 17: The Victor Dog
Strange Faces Other Minds 18: Jim Trueblood: Father of the Year

I have a weakness for poems like this that permute the same words over and over again. See Seed Poem by Charles Stein I posted earlier. This hits that same craving. I heard the recording first. I’m not sure if that helped me read this one better than I would have otherwise. Either way, check out the recording linked to by the poem’s name on the Poetry Foundation’s website. Kearney kills the reading.
Check out other work in the Strange Faces Other Minds series here.
Strange Faces Other Minds 19: Among the Musk Ox People
They were aesthetes, which means
I was forced to eat a hard peach,
commissioned to paint a twelve-foot abstraction
based on watching host cells collaborate
in bacterial infection, and at night
chewed the soles of their mukluks
till they were soft again.
If I ventured outside the igloo
and saw a celebrity,
I felt so inferior
I wanted to die.
To conceal my envy
I was given dark glasses.
If, on ther other hand, I encountered
someone to whom I was vastly superior,
one of those ill-clad, raving, wandering hags,
I felt ashamed and wanted to die.
To appease my guilt
they were given by the Elders a little of my grub.
If I met with an Ordinary,
someone not dissimilar to myself,
with dissatisfactions roughtly the same,
I felt the world was senseless
supporting so many look-alikes
and again I asked to die:
life reached a maddening peak
out there on the ice when
we were hunting and could move only our eyes.
Still, like a seal reaching his blowhole
in the dark, every seventy-two hours
I came to my senses for thirteen minutes
and continued to live with the knowledge
that deep in the oyster bed of blood
layered spheres continued to build round
my name, cold, calciferous, and forgotten.
When The Giant Orphan At The Bottom Of The Sea
appeared in my dreams,
demanding I write the story
of three generations of Ox women
resulting in the birth of a performance artist,
I knew I would need a knife, gun, needles,
kettle, scissors, and soap,
and gave up, at last, my finest skins.
I made my escape across the shrouded inlet
away from those who believe that outside
our minds there is only mist,
and with my skills at flensing
never feared for the future.
I get a little lost in Mary Ruefle’s poem toward the end. But the middle is so good I don’t even care.
Check out other work in the Strange Faces Other Minds series here.
Strange Faces Other Minds 20: Changing Genres

As so many of his poems so clever and well-done. I hope whoever is reading this has found the person they want to get “Russian” with.
Check out other work in the Strange Faces Other Minds series here.
Strange Faces Other Minds 21: When I Was In Love and Out of All Else

It took me a long time to figure out why I like this poem. The title alone kills me. I’ve made up a story about how it relates to the actual poem, but I’m less than 50% confident on it. I also love that it captures how much goes on in one’s mind mid-sentence. We have to wait for an inner dialog or narration to find out what must must be awful. When we finally find out, it’s unexpected, sweet, and mean, all at the same time.
Check out other work in the Strange Faces Other Minds series here.
Strange Faces Other Minds 22: Tea at the Palaz of Hoon
Not less because in purple I descended
The western day through what you called
The loneliest air, not less was I myself.
What was the ointment sprinkled on my beard?
What were the hymns that buzzed beside my ears?
What was the sea whose tide swept through me there?
Out of my mind the golden ointment rained,
And my ears made the blowing hymns they heard.
I was myself the compass of that sea:
I was the world in which I walked, and what I saw
Or heard or felt came not but from myself;
And there I found myself more truly and more strange.
Check out other work in the Strange Faces Other Minds series here.
Strange Faces Other Minds 23: In Memory of W.B. Yeats
I
He disappeared in the dead of winter:
The brooks were frozen, the airports almost deserted,
And snow disfigured the public statues;
The mercury sank in the mouth of the dying day.
What instruments we have agree
The day of his death was a dark cold day.
Far from his illness
The wolves ran on through the evergreen forests,
The peasant river was untempted by the fashionable quays;
By mourning tongues
The death of the poet was kept from his poems.
But for him it was his last afternoon as himself,
An afternoon of nurses and rumours;
The provinces of his body revolted,
The squares of his mind were empty,
Silence invaded the suburbs,
The current of his feeling failed; he became his admirers.
Now he is scattered among a hundred cities
And wholly given over to unfamiliar affections,
To find his happiness in another kind of wood
And be punished under a foreign code of conscience.
The words of a dead man
Are modified in the guts of the living.
But in the importance and noise of to-morrow
When the brokers are roaring like beasts on the floor of the bourse,
And the poor have the sufferings to which they are fairly accustomed
And each in the cell of himself is almost convinced of his freedom
A few thousand will think of this day
As one thinks of a day when one did something slightly unusual.
What instruments we have agree
The day of his death was a dark cold day.
II
You were silly like us; your gift survived it all:
The parish of rich women, physical decay,
Yourself. Mad Ireland hurt you into poetry.
Now Ireland has her madness and her weather still,
For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth.
III
Earth, receive an honoured guest:
William Yeats is laid to rest.
Let the Irish vessel lie
Emptied of its poetry.
In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate;
Intellectual disgrace
Stares from every human face,
And the seas of pity lie
Locked and frozen in each eye.
Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice;
With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress;
In the deserts of the heart
Let the healing fountain start,
In the prison of his days
Teach the free man how to praise.
The tight rhyme of the third section is always so jarring, but the first two are so good, I don’t even care. Here is the link to Auden’s poem on poets.org
Check out other work in the Strange Faces Other Minds series here.
Strange Faces Other Minds 25: To Juan at the Winter Solstice
There is one story and one story only
That will prove worth your telling,
Whether as learned bard or gifted child;
To it all lines or lesser gauds belong
That startle with their shining
Such common stories as they stray into.
Is it of trees you tell, their months and virtues,
Or strange beasts that beset you,
Of birds that croak at you the Triple will?
Or of the Zodiac and how slow it turns
Below the Boreal Crown,
Prison of all true kings that ever reigned?
Water to water, ark again to ark,
From woman back to woman:
So each new victim treads unfalteringly
The never altered circuit of his fate,
Bringing twelve peers as witness
Both to his starry rise and starry fall.
Or is it of the Virgin’s silver beauty,
All fish below the thighs?
She in her left hand bears a leafy quince;
When, with her right she crooks a finger smiling,
How may the King hold back?
Royally then he barters life for love.
Or of the undying snake from chaos hatched,
Whose coils contain the ocean,
Into whose chops with naked sword he springs,
Then in black water, tangled by the reeds,
Battles three days and nights,
To be spewed up beside her scalloped shore?
Much snow is falling, winds roar hollowly,
The owl hoots from the elder,
Fear in your heart cries to the loving—cup:
Sorrow to sorrow as the sparks fly upward.
The log groans and confesses
There is one story and one story only.
Dwell on her graciousness, dwell on her smiling,
Do not forget what flowers
The great boar trampled down in ivy time.
Her brow was creamy as the crested wave,
Her sea—blue eyes were wild
But nothing promised that is not performed.
By Robert Graves
Strange Faces Other Minds 24: Underwear
I didn’t get much sleep last night
thinking about underwear
Have you ever stopped to consider
underwear in the abstract
When you really dig into it
some shocking problems are raised
Underwear is something
we all have to deal with
Everyone wears
some kind of underwear
The Pope wears underwear I hope
The Governor of Louisiana
wears underwear
I saw him on TV
He must have had tight underwear
He squirmed a lot
Underwear can really get you in a bind
You have seen the underwear ads
for men and women
so alike but so different
Women’s underwear holds things up
Men’s underwear holds things down
Underwear is one thing
men and women have in common
Underwear is all we have between us
You have seen the three-color pictures
with crotches encircled
to show the areas of extra strength
and three-way stretch
promising full freedom of action
Don’t be deceived
It’s all based on the two-party system
which doesn’t allow much freedom of choice
the way things are set up
America in its Underwear
struggles thru the night
Underwear controls everything in the end
Take foundation garments for instance
They are really fascist forms
of underground government
making people believe
something but the truth
telling you what you can or can’t do
Did you ever try to get around a girdle
Perhaps Non-Violent Action
is the only answer
Did Gandhi wear a girdle?
Did Lady Macbeth wear a girdle?
Was that why Macbeth murdered sleep?
And that spot she was always rubbing—
Was it really in her underwear?
Modern anglosaxon ladies
must have huge guilt complexes
always washing and washing and washing
Out damned spot
Underwear with spots very suspicious
Underwear with bulges very shocking
Underwear on clothesline a great flag of freedom
Someone has escaped his Underwear
May be naked somewhere
Help!
But don’t worry
Everybody’s still hung up in it
There won’t be no real revolution
And poetry still the underwear of the soul
And underwear still covering
a multitude of faults
in the geological sense—
strange sedimentary stones, inscrutable cracks!
If I were you I’d keep aside
an oversize pair of winter underwear
Do not go naked into that good night
And in the meantime
keep calm and warm and dry
No use stirring ourselves up prematurely
‘over Nothing’
Move forward with dignity
hand in vest
Don’t get emotional
And death shall have no dominion
There’s plenty of time my darling
Are we not still young and easy
Don’t shout
By Lawrence Ferlinghetti found on Poetry Foundation
Check out other work in the Strange Faces Other Minds series here.
Strange Faces Other Minds 25: Tetelestai
Tetelestai
I
How shall we praise the magnificence of the dead,
The great man humbled, the haughty brought to dust?
Is there a horn we should not blow as proudly
For the meanest of us all, who creeps his days,
Guarding his heart from blows, to die obscurely?
I am no king, have laid no kingdoms waste,
Taken no princes captive, led no triumphs
Of weeping women through long walls of trumpets;
Say rather I am no one, or an atom;
Say rather, two great gods in a vault of starlight
Play ponderingly at chess; and at the game’s end
One of the pieces, shaken, falls to the floor
And runs to the darkest corner; and that piece
Forgotten there, left motionless, is I….
Say that I have no name, no gifts, no power,
Am only one of millions, mostly silent;
One who came with lips and hands and a heart,
Looked on beauty, and loved it, and then left it.
Say that the fates of time and space obscured me,
Led me a thousand ways to pain, bemused me,
Wrapped me in ugliness; and like great spiders
Dispatched me at their leisure…. Well, what then?
Should I not hear, as I lie down in dust,
The horns of glory blowing above my burial?
II
Morning and evening opened and closed above me:
Houses were built above me; trees let fall
Yellowing leaves upon me, hands of ghosts,
Rain has showered its arrows of silver upon me
Seeking my heart; winds have roared and tossed me;
Music in long blue waves of sound has borne me
A helpless weed to shores of unthought silence;
Time, above me, within me, crashed its gongs
Of terrible warning, sifting the dust of death;
And here I lie. Blow now your horns of glory
Harshly over my flesh, you trees, you waters!
You stars and suns, Canopus, Deneb, Rigel,
Let me, as I lie down, here in this dust,
Hear, far off, your whispered salutation!
Roar now above my decaying flesh, you winds,
Whirl out your earth-scents over this body, tell me
Of ferns and stagnant pools, wild roses, hillsides!
Anoint me, rain, let crash your silver arrows
On this hard flesh! I am the one who named you,
I lived in you, and now I die in you.
I, your son, your daughter, treader of music,
Lie broken, conquered…. Let me not fall in silence.
III
I, the restless one; the circler of circles;
Herdsman and roper of stars, who could not capture
The secret of self; I who was tyrant to weaklings,
Striker of children; destroyer of women; corrupter
Of innocent dreamers, and laugher at beauty; I,
Too easily brought to tears and weakness by music,
Baffled and broken by love, the helpless beholder
Of the war in my heart of desire with desire, the struggle
Of hatred with love, terror with hunger; I
Who laughed without knowing the cause of my laughter, who grew
Without wishing to grow, a servant to my own body;
Loved without reason the laughter and flesh of a woman,
Enduring such torments to find her! I who at last
Grow weaker, struggle more feebly, relent in my purpose,
Choose for my triumph an easier end, look backward
At earlier conquests; or, caught in the web, cry out
In a sudden and empty despair, “Tetelestai!”
Pity me, now! I, who was arrogant, beg you!
Tell me, as I lie down, that I was courageous.
Blow horns of victory now, as I reel and am vanquished.
Shatter the sky with trumpets above my grave.
IV
… Look! this flesh how it crumbles to dust and is blown!
These bones, how they grind in the granite of frost and are nothing!
This skull, how it yawns for a flicker of time in the darkness
Yet laughs not and sees not! It is crushed by a hammer of sunlight,
And the hands are destroyed…. Press down through the leaves of the jasmine,
Dig through the interlaced roots”nevermore will you find me;
I was no better than dust, yet you cannot replace me….
Take the soft dust in your hand”does it stir: does it sing?
Has it lips and a heart? Does it open its eyes to the sun?
Does it run, does it dream, does it burn with a secret, or tremble
In terror of death? Or ache with tremendous decisions?…
Listen!… It says: “I lean by the river. The willows
Are yellowed with bud. White clouds roar up from the south
And darken the ripples; but they cannot darken my heart,
Nor the face like a star in my heart!… Rain falls on the water
And pelts it, and rings it with silver. The willow trees glisten,
The sparrows chirp under the eaves; but the face in my heart
Is a secret of music…. I wait in the rain and am silent.”
Listen again!… It says: “I have worked, I am tired,
The pencil dulls in my hand: I see through the window
Walls upon walls of windows with faces behind them,
Smoke floating up to the sky, an ascension of seagulls.
I am tired. I have struggled in vain, my decision was fruitless,
Why then do I wait? with darkness, so easy, at hand!…
But to-morrow, perhaps…. I will wait and endure till to-morrow!…”
Or again: “It is dark. The decision is made. I am vanquished
By terror of life. The walls mount slowly about me
In coldness. I had not the courage. I was forsaken.
I cried out, was answered by silence…. Tetelestai!…”
V
Hear how it babbles!–Blow the dust out of your hand,
With its voices and visions, tread on it, forget it, turn homeward
With dreams in your brain…. This, then, is the humble, the nameless, –
The lover, the husband and father, the struggler with shadows,
The one who went down under shoutings of chaos! The weakling
Who cried his “forsaken!” like Christ on the darkening hilltop!…
This, then, is the one who implores, as he dwindles to silence,
A fanfare of glory…. And which of us dares to deny him!
By Conrad Aiken, and here is a recording of Aiken reading the poem.
Check out other work in the Strange Faces Other Minds series here.
Strange Faces Other Minds 26: Untitled 404
Untitled 404
(After a Cindy Sherman Photograph)
Recently someone scolded me for speaking about Cindy Sherman because
Cindy Sherman was an instrument of the patriarchy
Like an evil saxophone, that only plays hold music for a bank
Bad financial jazz pouring out of the telephone
O sometimes I get so tired I want to blow the stars out, one by one
Every year people demand to know what art is feminist and what art is
un-feminist
Sometimes I wonder if it’s ethical to be a woman at all
It’s a great stupidity to waste your life on right-seeming behaviour
Like putting a coin in a jukebox that only plays whale song
I like this picture because it reminds me of loneliness
And the great, unspecific boredom of life
It’s the expression I get every time someone tries to hold me accountable
for my artistic wrongdoings
The critical theorists advancing, with black leather pompoms
Once there was a time in which I had many ideologies
Many self-pleasing ideologies with which to chastise others
The theme of these ideologies was: however wrong you are, that is the exact
amount I am right by
I felt them in my blood like too much money
Once upon a time, I had many ideologies
Many superior ideologies, with which to cheerfully educate
my family and friends
Forget crying myself to sleep, I wanted to cry everyone else there
Then drive off in my Cadillac, my black wig blowing
Once upon a time I had many ideologies
And by ideologies I mean specific ideas about things other people should and
shouldn’t do
But proving yourself right is a bad career
Then you have to prove yourself even righter, in a blue satin pantsuit
Sometimes the world is so backwards all you can do is stare
Stare and stare, from out behind your waterproof mascara
Oh it’s a great responsibility to be your own misogynist
There are so many beaded handbags with which to oppress yourself
I don’t think the great project of art is ideological messaging time
Like Monet, spelling ‘fuck you’ in waterlilies
All I want is to pour my eyes into the world
The sunset blazing overhead like too much eyeshadow
People are always on the lookout for new ideologies with which to punish
themselves
Contemporary ideologies, studded with hashtags
It’s like not being able to wear a sexy nurse outfit unless you apply for a sexy
medical licence
You have to take someone’s blood pressure with your skirt hiked up
There are a lot of punishments in this world
And some of these punishments look a lot like day to day life
Some things cannot be transformed, only endured
The moon shining over all of us, with its clean white handrail
The imperative to be correct is the great failure of the left
Sometimes you just want to wash iceberg lettuce in quiet despair
It’s like buying a second wig, and putting it on over the wig
you’re already wearing
You cry and cry, impressing no-one
By Hera Lindsay Bird
Check out other work in the Strange Faces Other Minds series here.
Strange Faces Other Minds 27: Sacramento O No
Sacramento O No
An asparagus eating contest—
I thought I’d misheard.
Downstairs the rude old man
lays tile, makes demasiado noise.
I fell asleep at last around 5:30 am
and he woke me an hour later or so:
it is better I don’t look
at the clock. By this means
I clock my progress: I know now
it is sometimes better not to
know. I have midnight equilibrium
but it is gone by 3 am.
Thank you for Cloud of Sparrows,
man who wrote it. I read all night.
Thank you for the pen from Iran, Kamyar.
Its myriad stars have just run out of ink
eleven years on.
Thank you, sun, for leaf shadows
on horrible carpet in horrible box
I live in and for tree by which I mean
what’s living. I think of the gardens
I planted and left. I think of beets,
of beans and asparagus. Then
on the radio, hear the contest.
The noise of ten lanes of traffic
does not cancel the consolation
of seeing the wind
in the sweetgum leaves.
The experience of this
is my food and my sleep.
As at some strange customs,
I declare.
By Liz Waldner
Check out other work in the Strange Faces Other Minds series here.